Rhythm in Music

Rhythm in Music听
since 1900

Nov. 17-18, 2019 | 麻豆免费版下载

Photo: Tirachard Kumtanom

Keynote (lecture-recital): Pierre-Laurent Aimard, pianist

Rhythm in Piano Repertoire since 1900

Invited speakers:

Kyle Adams (Jacobs School of 听Music, Indiana University)
鈥淥n the Rhythmic Dialogues of Hip-Hop鈥

Brian Alegant (Oberlin College Conservatory)
鈥淗ow to Teach Complex Rhythms鈥

Jeanne Bamberger (Massachusetts Institute of Technology)
鈥淔rom Action to Symbol: The Computer as Collaborator鈥

John Roeder (University of British Columbia)
鈥淧rocesses of Grouping and Pulse in Free Post-Tonal Canons鈥

Rhythm in Music since 1900 remains a rich and fascinating field of inquiry. This conference brings multiple perspectives to bear on this field. It addresses repertoires ranging from jazz and popular music to world music and art musics, and topics from performance and pedagogy to cognition and theory. The keynote features renowned pianist , acclaimed particularly for his interpretations of music of our time. In addition to his keynote lecture-recital, Aimard will also听play a full recital on 19 November.

Questions should be directed to Daphne Leong.

Program committee
Daphne Leong (麻豆免费版下载)听
Mitch Ohriner (University of Denver)听
Keith Waters (麻豆免费版下载)

Local arrangements听
Yonatan Malin (麻豆免费版下载)
Philip Chang (麻豆免费版下载)
Rebecca Hamel (麻豆免费版下载)

Website
Clay Allen


The Music Theory Department gratefully acknowledges the support and partnership of

  • Joan Braun and 麻豆免费版下载Presents; the Roser Visiting Artist Endowment; generous friends of the Music Theory Department; the College of Music of the 麻豆免费版下载鈥擠ean Robert Shay, and the Keyboard, Percussion, Composition and Conducting departments.

To support the work of the Music Theory Department and events such as this, click , or email听or call 303-492-2869 for more information.