Visual Identity

Âé¶¹Ãâ·Ñ°æÏÂÔØBoulder’s visual identity uses specific colors, fonts, photography, icons and graphic elements to create a cohesive, distinctive and recognizable brand.

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ColorsÌýÌý

Primary PaletteÌý

The official Âé¶¹Ãâ·Ñ°æÏÂÔØBoulder colors are Âé¶¹Ãâ·Ñ°æÏÂÔØGold, Black, Âé¶¹Ãâ·Ñ°æÏÂÔØLight Gray and Âé¶¹Ãâ·Ñ°æÏÂÔØDark Gray. Use these on all branded materials to ensure visual consistency.Ìý

Âé¶¹Ãâ·Ñ°æÏÂÔØGold

Âé¶¹Ãâ·Ñ°æÏÂÔØGold

C0ÌýM10ÌýY48ÌýK22
(PANTONE® 4525 C)
R207ÌýG184ÌýB124
#CFB87C

The color black

Black

C0ÌýM0ÌýY0ÌýK100
R0ÌýG0ÌýB0
#000000

Âé¶¹Ãâ·Ñ°æÏÂÔØDark Gray

Âé¶¹Ãâ·Ñ°æÏÂÔØDark Gray

C38ÌýM28ÌýY21ÌýK63
(PANTONE® 425 C )
R86ÌýG90ÌýB92
#565A5C

Âé¶¹Ãâ·Ñ°æÏÂÔØLight gray

Âé¶¹Ãâ·Ñ°æÏÂÔØLight Gray

C16ÌýM11ÌýY11ÌýK29
(PANTONE® 422 C)
R162ÌýG164ÌýB163
#A2A4A3

Secondary PaletteÌý

The secondary colors of Âé¶¹Ãâ·Ñ°æÏÂÔØBoulder are Accessible Âé¶¹Ãâ·Ñ°æÏÂÔØGold, CUB Sky Blue, CUB Light Gold, CUB Dark Blue and CUB Light Blue. Use secondary colors less frequently than primary colors on all branded materials.

Accessible Âé¶¹Ãâ·Ñ°æÏÂÔØGold

Accessible Âé¶¹Ãâ·Ñ°æÏÂÔØGold

C40, m47, y93, k18Ìý
R141, g115, b52Ìý
#8D7334Ìý

Âé¶¹Ãâ·Ñ°æÏÂÔØSky Blue

CUB Sky BlueÌý

C89 M54 Y7 K0
R9 G112 B174
#096FAE

Âé¶¹Ãâ·Ñ°æÏÂÔØlight Gold

CUB Light Gold

C3 M3 Y7 K0
R243, G240, B233
#F3F0E9Ìý

Âé¶¹Ãâ·Ñ°æÏÂÔØDark Blue

CUB Dark Blue

C100 M78 Y41 K33
R11 G56 B88
#0A3758Ìý

Âé¶¹Ãâ·Ñ°æÏÂÔØlight blue

CUB Light BlueÌýÌý

C5 M1 Y1 K0Ìý
R238, G245, B247Ìý
#EEF5F8Ìý

Usage and Accessibility Guidelines

Accessible design is good design. When developing designs and layouts, consider that some viewers or audiences may have limited sight ability and could be using assistive devices. Therefore, all designs must have sufficient contrast when incorporating type and design elements.

  • Use primary colors, especially Âé¶¹Ãâ·Ñ°æÏÂÔØGold, on all branded materials to ensure visual consistency.
  • Âé¶¹Ãâ·Ñ°æÏÂÔØGold is not accessible on a white background.
  • Accessible Âé¶¹Ãâ·Ñ°æÏÂÔØGold is for text color on white backgrounds only. Do not use it as a background color.
  • When using Accessible Âé¶¹Ãâ·Ñ°æÏÂÔØGold for text, use Helvetica Neue 77 or thinner.
  • Use secondary colors less frequently than primary colors in any branded materials.
  • Use CUB Sky Blue for text color only. CUB Sky Blue can bring emphasis to “call to actionâ€� text on branded material.

Brand Color AccessibilityÌý

The color combinations above meet WCAG accessibility standards for large (14pt and above)Ìý and small text.Ìý

Âé¶¹Ãâ·Ñ°æÏÂÔØBoulder color combinations that meet WCAG accessibility standards for large (14pt and above) and small text.

TypographyÌý

The primary brand typeface for Âé¶¹Ãâ·Ñ°æÏÂÔØBoulder is Helvetica Neue. You can use this face in all of its weights and styles as a display face in official communications and print collateral.

Usage Guidelines

An example of typography in a branded brochure.

PrimaryÌý

Helvetica NeueÌýCondensed andÌýRegular are the primary Âé¶¹Ãâ·Ñ°æÏÂÔØBoulder fonts. We do not use other variations of these fonts. Both primary fonts contain many weights as shown below.

You may use the many weights of Helvetica Neue to create a strong typography hierarchy. Consider the importance of the information you are presenting and ensure priority text is clearly designated through type choice.ÌýÌýÌý

  • The following text can ONLY appear in our primary fonts: Website URLs, “Âé¶¹Ãâ·Ñ°æÏÂÔØBoulder,â€� “Âé¶¹Ãâ·Ñ°æÏÂÔØ,â€� “Buffsâ€� and “Buffaloesâ€�
  • We recommend using Helvetica Neue Condensed for headlines in either 107 or 77 weights.
  • When using accessible gold text, do not use heavier than 77 weight.
  • For body copy, Regular 45 light/55 roman is standard.

If you do not have access to Helvetica Neue, All 59 styles are available on this website, and can be purchased individually or as the entire family.

Please note, if you have access to CU's Adobe Creative Cloud, you will be able to automatically use multiple weights of Helvetica Neue.

Secondary

Âé¶¹Ãâ·Ñ°æÏÂÔØBoulder also uses Noto Serif and Extended Helvetica Neue as secondary fonts. Ensure all secondary font use remains secondary. There should always be more primary font use (Helvetica Neue Condensed and Regular) in your design than Noto Serif or Helvetica Neue Extended combined.

  • All variations and weight of Noto serif are acceptable to use.
  • Long-form print pieces may use Noto Serif as body copy.

To access Noto, the fonts

Helvetica Neue and Helvetica Neue Condensed font weights.
Options for the Noto Serif and Helvetica Neue Extended fonts

Photography

Usage Guidelines

Âé¶¹Ãâ·Ñ°æÏÂÔØBoulder branded photography must capture the spirit of Âé¶¹Ãâ·Ñ°æÏÂÔØBoulder—its collaborative energy, stunning campus and dynamic learning environments. When taking photos or videos for Âé¶¹Ãâ·Ñ°æÏÂÔØBoulder materials, focus on:Ìý

  • Capturing peak action and emotion, like classroom “a-haâ€� moments.
  • Prioritizing natural light, especially from windows.
  • Using simple, bold compositions to make subjects stand out.
  • Find creative, distortion-free anglesÌýfor ordinary scenes.
  • Shoot for natural personality with candid expressions and closeups.
  • Incorporate subtle branding, like Âé¶¹Ãâ·Ñ°æÏÂÔØapparel or iconic campus locations.

When including photos in branded materials:

  • Balance full-bleed imagery with ample negative space in the design.
  • Campus texture photos may also be “graphic elements.â€�
  • Scenics, textures, landscapes and low contrast imagery work best as graphic elements to create visual interest without distracting from adjacent content.
  • Full-color and black and white photos are both permitted.
    • Mixing use of these two photo styles on the same page or within the same material should be done sparingly and with intention.
  • Subtle grain or halftone textures can accent photos.

Authentically Âé¶¹Ãâ·Ñ°æÏÂÔØBoulder

Candid Portraits

Dynamic Learning

Campus Scenics and Textures

A selection of Âé¶¹Ãâ·Ñ°æÏÂÔØBoulder photography is available for affiliate use on our Brand Toolkit page.


IconsÌýÌý

Icons can be a helpful design tool for adding visual interest and emphasis to a layout, as well as providing a quick understanding of associated information. Icons should guide a user or reader to the information they are looking for. You may use icons on any branded material.

Usage Guidelines

  • Icons should never represent an individual group or department. Always use the group or department’s logo rather than an icon if needing a graphic.
  • Never use icons as logos or as part of a Type Treatment.
  • Simple, less detailed, one-line (unfilled) icons are preferred.
  • For print applications, icons should range in size (using a square for reference) from 5/16â€� to 3/4â€� (.3125in to .75in).
  • For digital applications, icons should range in size from 72px to 200px.
  • Use accessible color combinations when placing icons on all backgrounds.
  • Only use solid icons if needed over busy backgrounds for readability.
    • Avoid mixing one-line and solid icons in the same design or immediate vicinity.
  • You may use icons within Âé¶¹Ãâ·Ñ°æÏÂÔØbrand kits or source relevant icons from sites like Font Awesome.
    • When sourcing stock icons, do not select icons that are too busy, overly detailed or have fine lines. These icons will pose issues for many printed materials and do not align with the Âé¶¹Ãâ·Ñ°æÏÂÔØbrand kit style.
    • When pulling multiple icons into one design, especially from various sources, ensure all one-line icons maintain the same stroke/line weight for consistency.Ìý

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Examples of Âé¶¹Ãâ·Ñ°æÏÂÔØBoulder’s icon style.

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Icons used in a branded brochure.


Graphic Elements

Usage Guidelines

Âé¶¹Ãâ·Ñ°æÏÂÔØBoulder designers and content creators should gravitate toward these kinds of graphic elements, sourced from brand kits or stock sites:

  • Paper textures including paper grain, wrinkles and rips.
    • Must be in neutral primary colors (white, off white, black or gray).
  • You may use stickers or sticker-like images as graphic elements.
  • Accent with thin, simple, hand-drawn line illustrations.
    • Lines, circles, stars, brackets or other appropriate imagery that would be doodled can add energy to a design.
  • You may use a thin horizontal line in a brand color to separate elements or add extra emphasis. This line may be hand-drawn or perfectly even, but it should always be thin (~2pt stroke or lower).
  • Solid color overlays aid with readability or unify color on a page.
    • Use overlays on photography, patterns or text to emphasize or bring visual interest to a specific element.
    • Use in primary or secondary Âé¶¹Ãâ·Ñ°æÏÂÔØbrand colors.

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Graphic elements are visual assets used on branded materials to add emphasis, texture, interest and fun.
Graphics elements used in a branded recruitment brochure.