Critical Media Practices
Film scholar Hunter Vaughan spent years scouring through film archives and directors’ reports, touring studio lots and interviewing execs and local film crews. He discovered an industry culture in which extravagance and waste have been not only allowed but celebrated, even as other industries have been pressured to conserve.
When he and his co-founders launched Boulder Media House, Jeremy Elder (CritMedia’20) was still a full-time student. Today, the young crew of Â鶹Ãâ·Ñ°æÏÂÔØgraduates behind the boutique production company has created content for businesses from luxury expedition vehicles to high-end fashion, and they continue to elevate their game.
Here’s something I’ve been thinking about a lot this summer––and I’ve spoken to CMCI professors who are thinking about this, too. While the situation we’re in presents challenges, this is also an incredible time to be doing the work that we do.
A curated list of articles by, and featuring, CMCI researchers for your reading, watching and listening pleasure. Dig in!
The Mimesis Documentary Festival will bring filmmakers together for an immersive week of film screenings and discussions. The virtual presentation will be held Aug. 12 through 18.
Media Production students cluster around a table in Â鶹Ãâ·Ñ°æÏÂÔØBoulder’s Museum of Natural History as Emily Braker, the museum’s collections manager, reveals their subjects: a snake in a jar, taxidermied birds, a series of skulls and an array of other specimens dating back to the early 1900s. Their task? Take advantage of 2020 technology to reanimate the objects for an assignment in their Introduction to Extended Realities course.
Featuring a special note from longtime Sports Illustrated columnist Rick Reilly (Jour'81).
As part of the Pathways to Excellence Summer Intensive program, students get to know the Boulder campus and city, tour local newsrooms and agencies, meet alumni, and work side-by-side with faculty and peers to produce creative projects.