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As people all around the world are aware, twenty years ago on March 11, 2011, an earthquake struck off the coast of Japan, triggering a tsunami that claimed the lives of tens of thousands of residents of the Tohoku region in the northeastern part of the country, which in turn caused a partial meltdown of one of the reactors of the Daiichi Nuclear Power Plant in Fukushima Prefecture. The devastation and tragedy were well documented, as were the resiliency andÌýgamanÌý(perseverance) of the communities most impacted by the triple disaster (known as 3.11 in Japan, based on the date.)

Ìýwas an exhibition of poetry and photographs stemming from 3.11 that was held first in New York City and then at Colorado College in Colorado Springs.ÌýTankaÌýpoems (which total 31 syllables across five lines in a 5-7-5-7-7 pattern) have traditionally been a form of emotional and artistic expression in Japanese culture, since before the time of theÌý²Ñ²¹²Ô’y´Ç²õ³ó³Ü, a poetry anthology compiled in the mid-eighth century. To this day, newspapers across Japan feature a weekly poetry column, and following the disaster, these columns in various newspapers served as a way to process, memorialize, and move through the trauma experienced by so many Japanese people near and far. Readers submitted thousands of poems reflecting on their experiences and emotions following the disaster and professional poets selected which poems would run in the newspapers. Isao Tsujimoto, the project director for Voices from Japan, along with his collaborator Kyoko Tsujimoto and three scholars of Japanese literature, Laurel Rasplica Rodd (professor emeritus of Japanese at Â鶹Ãâ·Ñ°æÏÂÔØBoulder and former director of the Center for Asian Studies), Joan Ericson (professor of Japanese at Colorado College), and Amy V. Heinrich (former director of the C. V. Starr East Asian Library at Columbia University) selected and translated 100ÌýtankaÌýfor the project. Subsequently,ÌýÌýwas published by Kodansha Publishing in Tokyo.Ìý

The followingÌýtankaÌýare a small sampling of the voices presented in the project and represent some responses to the disaster that provide signs of hope and healing through the pain. As the world’s attention turns once again to Japan during the postponed Tokyo 2020 Olympic Games, we encourage you to consider these expressions of sorrow, grief, healing, and growth. The people of Tohoku are still working to overcome the 3.11 disaster, but we can all share in bearing witness to the trauma and join in remembering and memorializing those who were lost and harmed as Japan and the people of the region look toward recovery and healing. And hopefully these poems will serve as inspiration and solace as we all move through our own personal traumas, including the global COVID-19 pandemic and the uptick in racist anti-Asian sentiments in the U.S. over the past several months.Ìý

May we all process trauma and heartache with as much grace as these poets.

Ìý

the sky I gaze at

from near my window

is the Fukushima sky

that is unchanged

from how it looked last week

Rieko Hatakeyama, Fukushima, March 2011

Ìý

praying that my

friend's name is not there,

I search the names

in the newspaper column

listing the victims

Satoshi Ito, Niigata, April 2011

Ìý

to the mother who

birthed her baby

in the midst of the earthquake

ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýI want to deliver

ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýsome nice hot stew

Wako Matsuda, Toyama, April 2011

Ìý

one who is able

to respond calmly

to a rude query

is a person whose father and mother

have been washed away by the waves

Kimiko Kawano, Gunma, April 2011

Ìý

because I have toÌý

go on living

ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýeven on the day

ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýof the atomic explosion

ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýI am polishing rice

Toko Mihara, Fukushima, April 2011

Ìý

still, after all,

spring has come again—

dimly shrouded

blossoms of Fukushima:Ìý

ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýplum, peach, cherry

Toko Mihara, Fukushima, May 2011

Ìý

somehow or other

everyone has become

kindhearted

on the crowded streets

as the aftershocks continue

Mikio Fukuhara, Miyagi, May 2011

Ìý

wiping away the mud

of the sea with a soft brush

to keep from ruiningÌý

the smiling faces

in the photograph

Atsuko Kobayashi, Saitama, September 2011

Ìý

the full moon

climbs up

over the mountain of rubble

like a silent

requiem

Saburo Shinohara, Shizuoka, October 2011

Ìý

you know, it’s true…but

ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýthe Fukushima rice,

ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýpeaches, apples,

ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýpears, persimmons, vegetables,

ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýand people

ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýare still around

Toko Mihara,ÌýFukushima, January 2012

Ìý

the first time

for me to receive

so many guests

at my temporary dwelling—

like family

Nobuko Kato, Iwate, December 2012

Ìý

I take comfort in the flowers

of the eggplants

and the cucumbers I raise

here in my refuge from

the nuclear disaster

Keiko Hangui, Fukushima, September 2013