Events

Researcher addresses the challenges of species survival

Rachel Sauer — Thu, 29 Jan 2026 23:13:58 +0000

Researcher addresses the challenges of species survival Rachel Sauer Thu, 01/29/2026 - 16:13

In his Feb. 17 Distinguished Research Lecture, �鶹��Ѱ��Boulder Professor Dan Doak will address the question, ‘What can we do that will actually help species survive?’

Anyone who’s ever encountered a fly or a housecat might be surprised to learn that most species on Earth are naturally rare, and that truly widespread, common species are, in fact, the exception rather than the rule. Because of this, understanding and helping species persist is a bigger challenge than most people realize.

New pressures from human activity have pushed many species closer to extinction, and many now need active management to survive. However, effective conservation isn’t just about understanding a species' biology; it also depends on management choices and political decisions that shape what’s possible and how scientific information is used.

Dan Doak, a �鶹��Ѱ��Boulder professor of environmental studies and Byers Family Chair in Environmental Studies, has studied species survival and climate change throughout his research career.

This will be the focus of Dan Doak’s Feb. 17 Distinguished Research Lecture “Saving Species with Science: 30 Years of Conservation Setbacks and Successes.”

Throughout his career, Doak, a �鶹��Ѱ�� professor of environmental studies, and his collaborators have worked with endangered species worldwide—from sea otters and spotted owls to gorgonian corals and alpine plants—asking a simple but urgent question: How do we better understand endangerment and what can we do to help endangered species survive?

While Doak was committed to conservation from a young age, it was toward the end of graduate school that he realized that combining an appreciation of species’ biological intricacies with mathematical modeling approaches could yield important insights into the analysis of conservation problems and the formulation of solutions that can direct species management. Since then, a major part of his research has focused on rare species management, including the development of general approaches and addressing the needs of specific species.

In his Distinguished Research Lecture, Doak will share three stories showing how conservation science works in the real world, where ecological research meets human values, policies and tough choices. Through the California condor, a rare Rocky Mountain wildflower and the island fox, he will explore how our understanding of extinction risk has improved even as challenges facing wildlife mount.

About Dan Doak

Dan Doak is a professor and the Byers Family Chair in the Department of Environmental Studies.

Distinguished Research Lecture

What: 127th Distinguished Research Lecture, Saving Species with Science: 30 Years of Conservation Setbacks and Successes

Who: Professor Dan Doak of the Department of Environmental Studies

When: 4-5 p.m. Tuesday, Feb. 17, followed by a Q&A and reception

Where: Chancellor's Hall and Auditorium, Center for Academic Success and Engagement (CASE)

Learn more

He earned his PhD at the University of Washington and was a professor at both the University of California Santa Cruz and the University of Wyoming before joining �鶹��Ѱ��Boulder in 2012.

His research features the development and use of modeling methods to better understand ecological patterns and processes and field work that investigates the ecological dynamics of multiple plant and animal species. This research includes work on the conservation and management of endangered species, climate change impacts on wild species and communities and basic research on species interactions and population dynamics.

In the first of these areas, Doak has worked to better understand the degree of endangerment and the most effective management methods for species including sea otters, island foxes, California condors, Mediterranean purple gorgonian corals and multiple rare plants.

His climate change research includes development of analysis and modeling methods, as well as a continuing 25-year study of arctic and alpine plants and their responses to climate across a wide latitude range in western North America.

Finally, he has worked with colleagues to better understand the ways that spatial patterns and changing contexts can shape ecological interactions. This area of work includes field studies of how termites create spatial structures in the East African savanna and the ways that changing ecological contexts can mediate the impacts of sea otters on kelp forest communities. 

About the Distinguished Research Lectureship

The Distinguished Research Lectureship is among the highest honors given by faculty to a faculty colleague at CU Boulder. Each year, the Research and Innovation Office requests nominations from faculty for this award, and a faculty review panel recommends one or more faculty members as recipients.

The lectureship honors tenured faculty members, research professors (associate or full) or adjoint professors who have been with �鶹��Ѱ��Boulder for at least five years and are widely recognized for a distinguished body of academic or creative achievement and prominence, as well as contributions to the educational and service missions of CU Boulder. Each recipient typically gives a lecture in the fall or spring following selection and receives a $2,000 honorarium.

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In his Feb. 17 Distinguished Research Lecture, �鶹��Ѱ��Boulder Professor Dan Doak will address the question, ‘What can we do that will actually help species survive?’

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Top photo: Yajun Dong/Pexels

Exhibit celebrates Black Panther Party in stories and portraits

Rachel Sauer — Thu, 22 Jan 2026 22:52:38 +0000

Exhibit celebrates Black Panther Party in stories and portraits Rachel Sauer Thu, 01/22/2026 - 15:52

The documentary exhibit “Revolutionary Grain,” open now through March 15 in the Macky Gallery, highlights the stories of former Black Panther Party members and ongoing struggles for racial justice

This spring, the �鶹��Ѱ�� Center for African and African American Studies (CAAAS) and the Department of History, together with the Louis P. Singer Endowed Chair in Jewish History, present the traveling exhibition “Revolutionary Grain: Celebrating the Spirit of the Black Panther Party in Portraits and Stories” in the Macky Gallery.

The exhibition, open now through March 15, was created by California-based artist and photographer Suzun Lucia Lamaina and honors the legacy of one of the most influential movements in Black American history.

As part of Black History Month programming, the exhibition will be accompanied by a panel discussion with former Black Panther Party members Gayle Dickson, Aaron Dixon, Ericka Huggins and Billy X Jennings, alongside Lamaina and CAAAS Director Reiland Rabaka, on Thursday, Feb. 12, at 7 p.m. in the Norlin Library Center for Global British and Irish Studies Room (M549). The discussion will focus on the history and legacy of the Black Panther Party and its relevance in today’s political climate.

Living history

Hear firsthand accounts of the history of the Black Panther Party and the 1960s Black Freedom Struggle—along with their legacies in Trump's America. The program is part of the accompanying events for the traveling exhibit "Revolutionary Grain: Celebrating the Spirit of the Black Panther Party in Portraits and Stories" that is on display through March 15 in the Macky Gallery.

What: A panel discussion with former Black Panther Party members Gayle Dickson, Aaron Dixon, Ericka Huggins and Billy X Jennings, alongside CAAAS Director Reiland Rabaka and photographer Suzun Lucia Lamaina.

When: 7 p.m. Thursday, Feb. 12

Where: Norlin Library Center for Global British and Irish Studies Room (M549)

Learn more

Additional programs featuring former Panthers will take place throughout that week on campus.

The “Revolutionary Grain” exhibition features a social-documentary photographic essay of portraits and personal narratives from more than 50 former members of the Black Panther Party. Lamaina spent five years traveling across the United States to interview and photograph participants, offering them the opportunity to tell their own stories.

“This work is meant to spark conversation,” Lamaina explained of the project, noting that the exhibition coincides with the 60th anniversary of the Black Panther Party’s founding and ongoing struggles for racial justice in the United States. The exhibition situates the movement’s history in what Lamaina describes as a new phase of the Black Freedom Struggle in contemporary America.

Founded in October 1966 in Oakland, California, by Bobby Seale and the late Huey P. Newton, the Black Panther Party initially focused on addressing police violence in Black communities. By the late 1960s, the party had become a national and international symbol of resistance, establishing nearly 50 chapters across the United States and an international presence in Algiers, North Africa.

“Putting on the Black Panther uniform and committing our lives to the liberation struggle changed the purpose and meaning of our entire identities,” Dixon wrote in his 2012 memoir My People Are Rising: Memoir of a Black Panther Party Captain. “It was a liberating experience. Societal restriction and conformities dropped by the wayside, leaving a fearless, defiant, powerful human being. We no longer looked at ourselves in the same way, nor did we look at the system and its representatives in the same manner. We were the freest of the free.”

In addition to its revolutionary political stance against capitalism, imperialism and fascism, the party launched “survival programs” that provided free breakfasts, medical services and other essential resources to thousands of Black Americans. Despite its community-based activism, the Panthers were frequently targeted by federal authorities, with the Nixon administration labeling the party “the greatest danger to the internal security” of the United States. A number of its members, among them Fred Hampton in Chicago, died at the hands of police officers.

The exhibition seeks to counter decades of misrepresentation by bringing first-person accounts from former members to the foreground, connecting their experiences to present-day debates over racism, police violence and political organizing.

“At a time during which the Trump administration and its supporters are rewriting history and representing versions of the past that downplay or even erase the critical significance of the Black Liberation Struggle of the 1960s and 1970s—of which the Panthers were an integral part—it is all the more important to shed light on the movement’s complexities and give our students, faculty and the community one more opportunity to engage with aging Panther members in meaningful ways," says Thomas Pegelow Kaplan, a professor of history and the Louis P. Singer Endowed Chair in Jewish History. "This is a university campus, and it is a celebration, but also a reappraisal, with the help of key actors, of a complex struggle that has also problematic chapters. History is messy, but our students deserve better than what many in Washington have in store for them.”

The exhibition is co-sponsored by the departments of English, Ethnic Studies and Women and Gender Studies and the Center for Humanities and the Arts.

All events are free and open to the public. No tickets are required. For more information, contact Thomas Pegelow Kaplan at thomas.pegelow-kaplan@colorado.edu.

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The documentary exhibit “Revolutionary Grain,” open now through March 15 in the Macky Gallery, highlights the stories of former Black Panther Party members and ongoing struggles for racial justice.

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Top image: Former Black Panther Party members Emory Douglas (left), Kathleen Cleaver (center) and Barbara Easley Cox (right). (Photos: Suzun Lucia Lamaina)

Filmmaker charts path from rented cameras to Hollywood marquees

Rachel Sauer — Tue, 20 Jan 2026 22:35:57 +0000

Filmmaker charts path from rented cameras to Hollywood marquees Rachel Sauer Tue, 01/20/2026 - 15:35

Bradley Worrell

On campus on Wednesday for a screening of his movie Roofman, �鶹��Ѱ��Boulder alum Derek Cianfrance praises the professors who mentored him and talks about what motivates him today as a filmmaker

From making short films as a teenager to sitting in the director’s chair today for Hollywood marquee films, Derek Cianfrance’s path to professional filmmaker has been anything but conventional.

Long before he directed films such as Blue Valentine and The Place Beyond the Pines, Cianfrance was a kid growing up in Lakewood, Colorado, who turned birthday parties into movie sets. At age 13, he was shooting short films on a rented video camera—driven by a sense of play that he says still fuels his work today.

In a recent, candid conversation with Colorado Arts and Sciences Magazine, Cianfrance reflects on the formative years that shaped his vision, the mentors who guided him at the �鶹��Ѱ�� and the persistence—and rejection—that defined his rise from short home films to Hollywood movies.

�鶹��Ѱ��Boulder alumnus Derek Cianfrance directed films such as Blue Valentine and The Place Beyond the Pines, in addition to his most recent, Roofman.

Question: What’s it like for you to come back to Boulder now? And what are your plans while you are here?

Cianfrance: It’s always amazing coming back. Boulder shaped me as a filmmaker. I had transformative experiences there—with mentors like Phil Solomon, Stan Brakhage, Bruce Kawin, Don Yannacito and Jim Palmer. Some aren’t around anymore, but they left a mark.

On Wednesday evening, at the Muenzinger Auditorium, I’ll be screening my most recent movie, Roofman, and I’ll probably do an intro and a Q&A.

I’ve been back to Boulder many times since leaving college—and some of my most important relationships came from there. Every time I return, I enjoy getting to see the next generation of students and teachers carrying on that tradition.

Question: You started experimenting with film and other media as a teenager?

Cianfrance: Earlier, actually. At age 6, I borrowed my older brother’s tape recorder and used it to make skits, fake movie trailers and to do interviews. At 13, I rented a video camera from my school librarian at Green Mountain High School and made The Bat Movie, which was about this rubber bat that attacks people. The movie was 15 seconds long, four shots, and it was from the point of view of the bat. It was actually kind of funny and ridiculous. …

From then on, I kept making little films. It was play for me—like a sport. Even now, in my 50s, I feel connected to that 6-year-old—it’s still play at its best moments.

And, I have to say, my parents were very supportive. I feel very fortunate. They dealt with me putting a camera in their face, filming birthday parties, turning the birthday party into a set for my movie. If they hadn’t supported that, I don’t know if I would have had the confidence to keep going. My parents were awesome that way.

And I immersed myself in film. I grew up on VHS and Hollywood movies—Martin Scorsese and George Romero. I had a picture of Scorsese over my bed.

Question: Many aspiring filmmakers set their sights on NYU or UCLA. Why did you choose �鶹��Ѱ��Boulder?

Cianfrance: I wanted to attend UCLA, USC or NYU as well. When I was in high school, I was obsessed with the film school generation back in the 1990s, but those schools were cost-prohibitive. I ended up going to �鶹��Ѱ��because I knew they had a film program and Boulder seemed like a great place to be. I didn’t know what to expect, but it was transformative.

At CU, my professors deconstructed cinema. Stan Brakhage showed us films out of focus to study shadow and light, and very quickly I learned I was getting a unique education. It was avant-garde, experimental. I learned aesthetics and formalism differently. Bruce Kawin taught screenplay structure; Jim Palmer taught thematic analysis.

When I showed my student films at festivals, I realized just how unique my education was. NYU students had huge budgets; mine cost $1,000 and was shot on 16mm Bolex. �鶹��Ѱ��taught me to embrace limitations. That has shaped everything I do.

If you go

�鶹��Ѱ��Boulder alumnus Derek Cianfrance will be present for a screening of Roofman at 7:30 p.m. Wednesday, Jan. 21, and will participate in a Q&A after the film.

What: International Film Series screening of Roofman with writer and director Derek Cianfrance

When: 7:30 p.m. Wednesday, Jan. 21

Where: Muenzinger Auditorium E050

Admission: $8 students/$10 general admission

Learn more

Question: What year did you graduate?

Cianfrance: Well, I didn’t actually graduate. I spent five semesters at CU. At the time I entered film school, Trey Parker and Matt Stone (later of South Park TV series fame) had just graduated and made Alfred Packer: The Musical. I was watching that from afar, as this young, ambitious film student, and so by the time I was a junior, I decided I was going to make a feature, too.

I dropped out for what I thought at the time would be a semester, raised $40,000, and shot Brother Tied. It took four years to finish, and it went to Sundance in 1998.

I spent a year on the road with that film. I had no money. I was literally living off of hors d’oeuvres from film festivals. I was like Ratzo Rizzo from Midnight Cowboy at the film festivals, just stuffing my pockets with food. The movie went to about 30 festivals and it won a handful of awards.

I got a lot of business cards, and I met a lot of people in the industry while I was doing that. I was writing Blue Valentine at the time, so I started sending out scripts for Blue Valentine—and I got a lot of rejections. Just non-stop rejections, but I just kept working on it.

It was far from an instant success. From when I first started writing Blue Valentine it was 66 drafts and 11 years later that I shot it.

Question: After leaving CU, did you move to Hollywood?

Cianfrance: No, I moved to New York in 1999. I lived on couches, edited tribute videos for TV award shows and worked enough to buy time back to write. That leapfrogging lasted 10 years until I made Blue Valentine.

Derek Cianfrance's (striped jacket) most recent film, Roofman, is about a convicted spree robber who hides out in the roof of a Toys R Us after escaping from prison.

Question: Blue Valentine was praised by critics and received multiple award nominations. Did you feel like you had ‘arrived’ as a director after it debuted?

Cianfrance: I don’t believe in arrival points. It’s a journey. That hasn’t changed for me. That’s why I feel so connected to my 6-year-old inner child—because I’m doing the same process I’ve done forever.

When you experience success, it removes barriers, which can be dangerous. Resistance and rejection are blessings—because they force growth. Blue Valentine took 11 years because I needed that time. By the last draft, I was married with kids, so I could tell the story authentically.

Question: Many people aspire to become a screenwriter or director but success eludes them. What do you believe helped you break through?

Cianfrance: Focusing on the work—not ego. I never cared about seeing my name on a marquee—only the movie’s name. It’s about staying true to your inner voice. Success and failure both come, so keep swinging.

Question: Even today, rejection comes with the territory as a recognized director?

Cianfrance: That’s the life of a filmmaker. You’re just knocking on doors and saying, ‘Do you want to buy this idea that I have?’

No one’s ever asking for those (films). Like, no one was asking for Blue Valentine. No one was asking for Roofman. Those were things where I found myself in a story and then you have to get excited about them.

I always feel like making movies is like the energy source. It’s the sun. When I see an energy source that I’m attracted to, I start orbiting it. And my job is to pay so much attention to it that other people start to pay attention to it as well, because you can’t do it alone.

It’s not like being a painter or a writer. You can write all by yourself, but to be a filmmaker, you need so many people. It costs so much money and there’s so many different elements involved.

That process has not changed at all for me. Roofman, Brother Tied, Blue Valentine—every movie I’ve ever made is pretty much the same. What has happened to me, though, is actors like Ryan Gosling and Michelle Williams believed in me—and because they believed in me, with the performances they delivered in Blue Valentine—that meant other actors would then trust me. And so, I think a definition of my work has really been about the quality, the vulnerability and the courage of the performances.

�鶹��Ѱ��Boulder alumnus Derek Cianfrance (right) praises the vulnerability and courage of the performances from actors with whom he's worked (including Kirsten Dunst, left, in Roofman).

I don’t want to say I’ve arrived as a director, but that’s been the thing that allowed me to make the films that I’ve been able to make. Without my actors, I’m nothing.

Question: Today, what attracts you to a movie project?

Cianfrance: Family stories. Movies feel voyeuristic—about secrets, flaws and relationships. I’m interested in impossible choices and consequences. My films reflect my life: Blue Valentine came from being a child watching my parents’ marriage; Roofman reflects on being a father.

Question:Can you name a creative decision that you made as a director that scared you at the time but that you’re proud of now?

Cianfrance: Roofman, as a whole. It pushed me out of my comfort zone—I aimed for a tone that was sad and sweet, not just dark. It was terrifying but rewarding.

Question:If you had unlimited resources and no commercial expectations, what kind of movie would you make?

Cianfrance: Honestly, I’ve had that once, with HBO’s I Know This Much Is True. But limitations often create magic. Throwing money at problems isn’t always good.

Question:Are there any film genres you’d still like to explore?

Cianfrance: Horror. That’s how I got into movies—Creepshow was my first VHS obsession. Horror allows limitless experimentations in form. That excites me. You can go anywhere with a horror movie.

Question:If you could give two or three bullet points of advice for today’s �鶹��Ѱ��Boulder film students, what would it be?

Cianfrance: Stay close to your friends. Help each other make things—you can’t do it alone. Get comfortable with rejection—it’s 99% of the process, so learn from it without losing your voice. And have a life—movies about movies aren’t enough.

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On campus on Wednesday for a screening of his movie Roofman, �鶹��Ѱ��Boulder alum Derek Cianfrance praises the professors who mentored him and talks about what motivates him today as a filmmaker.

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Top photo: Derek Cianfrance (right, baseball cap) on the set of Roofman with actor Channing Tatum (in orange). (All photos courtesy Derek Cianfrance)

Exploring the changing politics of science

Rachel Sauer — Tue, 15 Apr 2025 14:50:58 +0000

Exploring the changing politics of science Rachel Sauer Tue, 04/15/2025 - 08:50

Students invited to enjoy a slice and discuss interaction of science policy and politics at Pizza & Politics event April 21

A study conducted by the Pew Research Center in October 2024 found that 76% of Americans express “a great deal or fair amount of confidence in scientists to act in the public’s best interests.” That’s the good news. The not-do-good news is that number is down from 86% in January 2019.

Also, the same study found that 48% of respondents feel scientists should “focus on establishing sound scientific facts and stay out of public policy debates.”

So, these are interesting times at the nexus of science policy and politics. This will be the theme of the Politics & Pizza discussion from 6:15 p.m. to 7:30 p.m. Monday, April 21, in HUMN 250.

If you go

What: Politics & Pizza, "Science Policy and Politics"

When: 6:15 to 7:30 p.m. Monday, April 21

Where: HUMN 250

Free Cosmo's pizza!

The aim of the Politics & Pizza discussion series—which was initiated and will be moderated by Glen Krutz, a professor of political science—is to “encourage productive, substantive deliberation of specific topics, rather than rancorous and ideological macro-thoughts.”

Politics & Pizza, which includes free Cosmo’s pizza, is modeled on similar sessions offered in Harvard University’s Institute of Politics. Each session features expert speakers who give a few introductory thoughts about the session’s topic and then open the session to a question-and-answer with students.

In the sessions, which are designed to be highly interactive with the student audience, the panel of experts individually make initial comments on the session topic.

“However, the majority of the time is spent in questions and answers in a lively, interactive format that often induces nice interaction between the experts as well,” Krutz says. “The panelists can also ask questions of one another and feel free to banter as they wish.”

The expert panel for the Science Policy and Politics discussion will be Michael Detamore, alumnus of �鶹��Ѱ��Boulder College of Engineering and Applied Science (CEAS) and director of the Translational Medicine Institute and professor of biomedical engineering and mechanical engineering at Colorado State University; Lori Hunter, director of the �鶹��Ѱ��Boulder Institute of Behavioral Science and professor of sociology; Keith Molenaar, dean of the �鶹��Ѱ��Boulder College of Engineering and Applied Science (CEAS) and K. Stanton Lewis Professor of Construction Engineering and Management; and Massimo Ruzzene, �鶹��Ѱ��Boulder senior vice chancellor for Research & Innovation (RIO), dean of the Institutes and Slade Professor of Engineering.

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Students invited to enjoy a slice and discuss interaction of science policy and politics at Pizza & Politics event April 21.

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Come for the cheese and pepperoni, stay for the lively political discussion

Rachel Sauer — Wed, 05 Mar 2025 19:38:10 +0000

Come for the cheese and pepperoni, stay for the lively political discussion Rachel Sauer Wed, 03/05/2025 - 12:38

Politics & Pizza event March 17 will let students and experts discuss the relationship between business and politics

Many noteworthy images of the current political moment have included titans of business—in the Oval Office, speaking at a recent Cabinet meeting, gathered around the U.S. president during Inaugural events.

The relationship between business and politics has long been a fraught topic of discussion and, sometimes, contention—perhaps never more so than now.

If you go

What: Politics & Pizza, "The Business of Politics"

When: 5:30 to 6:45 p.m. March 17

Where: Muenzinger E0046

Free Cosmo's pizza!

Learn more

This will be the topic of the first Politics & Pizza event this semester from 5:30 to 6:45 p.m. March 17 in Muenzinger E0046. The discussion will explore the proper relationship of business leaders and organizations to politics and the political system.

“These events are meant to help �鶹��Ѱ��students sink their minds into key, specific political issues while they are sinking their teeth into delicious pizza!” Krutz says. “The other main goal is to have experts get the discussion started, but then to very much have a discussion between the students and one another and the students and the experts. The interaction piece is central, rather than a one-way information flow that sometimes we see at talks on university campuses.”

Politics & Pizza, which includes free Cosmo’s pizza, is modeled on similar sessions offered in Harvard University’s Institute of Politics. Each session will feature expert speakers who give a few introductory thoughts about the session’s topic and then open the session to a question-and-answer with students.

The theme of the Pizza & Politics event March 17 is “The Business of Politics,” with panelists Scott Flanders, a former CEO of eHealth, Playboy Enterprises Inc., Freedom Communications Inc. and Columbia House Company and board member for Fathom Holdings Inc., Fellow Health and 890 5^th Avenue; Paula Hildebrandt, former vice president for corporate development and integration planning with FedEx Corp. and former economic research associate with the Federal Reserve Bank of Kansas City; Taylor Jaworski, �鶹��Ѱ��Boulder associate professor of economics; Midge Korczak, former executive director of the Boulder County Bar Association; and Brian Morgan, founder and CEO of Ranch Bucket Brands.

Upcoming Politics & Pizza events will focus on current topics including science and politics.

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Politics & Pizza event March 17 will let students and experts discuss the relationship between business and politics.

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Schmooze-a-Palooza to celebrate community, song and Hebrew

Rachel Sauer — Fri, 28 Feb 2025 19:19:24 +0000

Schmooze-a-Palooza to celebrate community, song and Hebrew Rachel Sauer Fri, 02/28/2025 - 12:19

�鶹��Ѱ��Boulder event, now in its 11th year, will schmooze it up on March 12

For the past decade, Hebrew classes at the �鶹��Ѱ�� have hosted a novel event described as a rite of passage: the Schmooze-a-Palooza—part concert, part community building and part celebration of Hebrew and song.

The 11^th-annual Schmooze-a-Palooza will be held at 6:30 pm Wednesday, March 12, in UMC Room 235. Anyone with an interest in Hebrew is invited.

What: 11th-annual Schmooze-a-Palooza

When: 6:30 p.m. March 12

Where: UMC Room 235

Who: Anyone with an interest in Hebrew is invited.

Led by Eyal Rivlin, a teaching professor of Hebrew language in the Program in Jewish Studies and a professional musician, students in each class prepare a well-loved song in Hebrew—memorizing it, dressing up, creating a dance and performing it in front of their peers.

Having taught in different capacities for more than 30 years, Rivlin wanted to extend learning beyond the classroom, help the different classes connect and inspire lifelong friendships.

“When we show up in creative and expressive manners, with permission to embody our inner rockstar, a vulnerability is tapped which sets the groundwork for connecting at deeper levels,” says Rivlin. “It is clear to me that in 20 years from now, many of my students will remember singing with their friends, taking a risk and showing up together and having fun in the context of learning a language.”

Through the years, the concert has expanded and now, in addition to class performances, Jewish Studies faculty offer a song from the stage, some students volunteer to perform solos and duets of their favorite Hebrew songs and members of the local Hebrew-speaking community prepare a song as well. This year there is even talk about a flash-mob dance, Rivlin says.

Students have said that the event is a highlight of their �鶹��Ѱ��journey. Songs are a great way to expand vocabulary and memorize sentences and expressions. They also offer the community a taste of different cultural themes and musical styles.

This annual live concert is free and an opportunity to meet new friends, learn some Hebrew expressions and cheer fellow Buffs, Rivlin says.

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�鶹��Ѱ��Boulder event, now in its 11th year, will schmooze it up on March 12.

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Working with Data for Social Change symposium set for March 14

Rachel Sauer — Fri, 28 Feb 2025 18:15:53 +0000

Working with Data for Social Change symposium set for March 14 Rachel Sauer Fri, 02/28/2025 - 11:15

The all-day event will bring together local and national scholars engaged in digital public humanities projects to advocate for social change

The Data Advocacy for All project on the �鶹��Ѱ�� campus is sponsoring a one-day Working with Data for Social Change symposium March 14.

This all-day event brings together local and national scholars engaged in digital public humanities projects to advocate for social change and who have worked to strengthen ethical data humanities education in higher education, said Laurie Gries, associate professor of English and director of the Program for Writing and Rhetoric, who is spearheading the symposium.

What: Working with Data for Social Change symposium

When: March 14

Where: In-person at CASE KOBL 140 and online; register here

All faculty, staff and students who want to learn more about the data humanities are invited.

The symposium aims not only to demonstrate and underscore the value of data advocacy research for the humanities at large, but also to generate collective ideas as to how to data advocacy education can be enhanced across the disciplines in higher education, according to Gries.

She said she believes the symposium will be of interest to faculty, staff and students who want to learn more about the data humanities and, more particularly, about data advocacy as a focus of research and/or pedagogy. Those interested in attending in-person or via Zoom can register here.

The symposium will feature scholars and activists from around the country, including Melissa Borja, Nasreen Abd Elal and Sylvia Fernández Quintanilla, who have advocated with data for social change on projects including the Virulent Hate Project, Visualizing Palestine and Torn Apart/Separados, respectively. Additionally, Gries will talk about her data-driven project, the Swastika Counter Project, which was recently profiled in Colorado Arts and Sciences Magazine.

Gries said the symposium also will feature scholars who have worked intently to build data humanities education within and beyond the �鶹��Ѱ��Boulder campus. For instance, in addition to featured speaker Melanie Walsh discussing the Responsible Data Sets in Context project, David Glimp, Nathan Pieplow and other �鶹��Ѱ��Boulder and �鶹��Ѱ��Denver professors will speak about their efforts to train students how to engage data through critical, humanistic frameworks and how to use data effectively to address matters of significance to them and their communities.

Speaking of Gries’ efforts to spearhead the symposium, Glimp said, “Laurie has assembled a terrific team of collaborators to develop her vision of not only cultivating data literacy among our students but also equipping students with the tools to argue with data. By ‘arguing with data,’ I mean both being able to identify and assess all the ways data-backed arguments can mislead or go wrong, and being able to craft effective, responsible arguments with data about matters of the greatest urgency for our world.”

The Data Advocacy for All project was the recipient of a $300,000 �鶹��Ѱ��Next Award in May 2022.

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The all-day event will bring together local and national scholars engaged in digital public humanities projects to advocate for social change.

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Learning about the beginning of the universe in trillions of degrees

Rachel Sauer — Fri, 24 Jan 2025 00:09:52 +0000

Learning about the beginning of the universe in trillions of degrees Rachel Sauer Thu, 01/23/2025 - 17:09

�鶹��Ѱ��Boulder Professor Jamie Nagle will discuss the quarks and gluons that formed at the Big Bang in his Distinguished Research Lecture Feb. 6

Ten trillion degrees Fahrenheit is unfathomably hot—more than 10,000 times hotter than the Sun’s core—and it’s the temperature of the universe just moments after the Big Bang. At such extreme temperatures, according to nuclear theory, ordinary matter made of protons and neutrons transforms into a plasma of fundamental particles called quarks and gluons.

Jamie Nagle, a �鶹��Ѱ��Boulder professor of physics, will discuss his research to unlock the secrets of the early universe in his Distinguished Research Lecture Feb. 6.

At the world’s most powerful accelerators, scientists recreate tiny droplets of this early-universe matter by colliding heavy nuclei at near-light speeds. One of these scientists is Jamie Nagle, a �鶹��Ѱ�� professor of physics who for 20 years has studied these fleeting droplets and, along with his research group, engineered their shapes, sizes and temperatures to better understand their properties.

Nagle will discuss this work in the 125th Distinguished Research Lecture, “10 Trillion Degrees: Unlocking the Secrets of the Early Universe,” at 4 p.m. Feb. 6. in the Chancellor's Hall and Auditorium of the Center for Academic Success and Engagement (CASE).

About Jamie Nagle

Nagle has spent much of his career investigating the early universe through high-energy nuclear physics. His research has focused on understanding the quark-gluon plasma, a state of matter theorized to have existed just microseconds after the Big Bang.

“As you go back to about six microseconds after the universe started, the temperature was around two trillion Kelvin,” Nagle explains. “It was theorized that protons and neutrons inside of nuclei would melt away, creating a bath of more fundamental particles—quarks and gluons.”

Nagle's work involves recreating droplets of this quark-gluon plasma in a laboratory by colliding large nuclei at nearly the speed of light. These collisions occur at the world’s highest-energy accelerators, including the Relativistic Heavy Ion Collider (RHIC) at Brookhaven National Laboratory in New York and the Large Hadron Collider (LHC) in Geneva, Switzerland.

“In the world's highest-energy accelerators, we can collide very large nuclei like gold, lead or platinum at such high velocities that we create a tiny droplet of this 2 trillion Kelvin plasma,” he says.

If you go

What: 125th Distinguished Research Lecture, 10 Trillion Degrees: Unlocking the Secrets of the Early Universe

Who: Professor Jamie Nagle of the Department of Physics

When: 4-5 p.m. Feb. 6, followed by a Q&A and reception

Where: Chancellor's Hall and Auditorium, Center for Academic Success and Engagement (CASE)

Reflecting on the award, Nagle expresses gratitude and a sense of accomplishment: “It means a lot to me. You get to a certain middle age and are more self-confident, but this recognition feels rewarding. There's a lot of effort, and much of the hard work goes unnoticed. It’s nice to feel like the fruits of that labor are appreciated.”

The Distinguished Research Lectureship also emphasizes communicating complex scientific concepts to broader audiences. For Nagle, this is a vital part of his work: “This award is very meaningful to me because I often listen to the lectures of past recipients. It's about communicating the broader context of why this scientific research is important, not just within the microcosm of nuclear physics.”

About the Distinguished Research Lectureship

Read the original article from the Department of Physics

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�鶹��Ѱ��Boulder Professor Jamie Nagle will discuss the quarks and gluons that formed at the Big Bang in his Distinguished Research Lecture Feb. 6.

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Workshop aims to help participants cope and feel better

Rachel Sauer — Fri, 17 Jan 2025 00:24:43 +0000

Workshop aims to help participants cope and feel better Rachel Sauer Thu, 01/16/2025 - 17:24

Participants will learn how to regulate heart rhythms to immediately address their emotional state in challenging situations.

An expert in heart-rate variability will share research and its application via the HeartMath system in a workshop at the �鶹��Ѱ��.

Participants in the workshop, which will be at 1 p.m. Feb. 11 on Zoom, will learn how to use the heart/brain connection to regulate heart rhythms to immediately address their emotional state in challenging situations. The event is open to all, but registration is required.

The workshop will teach participants how to do so while uniting heart, mind and emotion; boosting resilience; decreasing stress; and improving mental and physical performance, notes Erin Cunningham Ritter, who will lead the workshop.

Cunningham Ritter, who is director of wellness and employee engagement for the College of Arts and Sciences, says that the workshop’s aim is to “support our communities with practical, in-the-moment tools for building coherence and capacity for resilience, stress reduction, improved self-regulation, performance and mental and physical health.”

She describes HeartMath as an evidenced-based program that teaches participants to access their hearts’ inner balance to become the best versions of themselves. These tools, which can be applied in the moment, are proven to help participants reduce stress and anxiety while improving coherence, self-security and decision making, Cunningham Ritter says.

HeartMath has developed highly successful programs for self-improvement in mental, emotional and physical balance, according to Cunningham-Ritter. However, HeartMath technology and materials are not intended to replace treatments for medical or psychological conditions by licensed physicians, psychologists or other health care professionals.

The workshop is a presentation of Let’s �鶹��Ѱ��Well, an expert-speaker series sponsored by Be Well, the College of Arts and Sciences’ wellness initiative, and �鶹��Ѱ��Boulder Health and Wellness Services. For more information or to ask questions, contact Erin Cunningham Ritter.

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Participants will learn how to regulate heart rhythms to immediately address their emotional state in challenging situations.

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Finding ‘Better Days’ through art

Anonymous — Tue, 20 Aug 2024 15:23:47 +0000

Finding ‘Better Days’ through art Anonymous (not verified) Tue, 08/20/2024 - 09:23

Rachel Sauer

New �鶹��Ѱ��Art Museum exhibit highlights the ways in which art meets challenging times and finds the sometimes-elusive silver lining

It began not with the more known Confederate battle flag—the infamous stars and bars—but with the lesser-known Confederate flag of truce, a white linen towel waved on April 9, 1865, by Confederate troops when Gen. Robert E. Lee surrendered at Appomattox Court House, ending the U.S. Civil War.

In 2019, textile and social practice artist Sonya Clark made the flag of truce the focal point of her work Monumental Cloth, The Flag We Should Know, recreating the “cloth that brokered peace and represented the promise of reconciliation.” The University of Colorado Art Museum recently acquired Clark’s 2022 print, Confederate, surrender, which reconstructs the historical artifact.

"From Me, All Things Proceed and to Me, They Must Return," by Hollis Sigler (1991) is part of the "Better Days" exhibition now open at the �鶹��Ѱ��Art Museum.

It was this interpretation of a lesser-known symbol that got curators and staff at the museum thinking: “(Clark) is taking this ongoing moment in history and, in many ways, elevating it with an act of repair,” says Hope Saska, acting director, chief curator and director of academic engagement in the museum. “That started us thinking about how do artists take these times that may be challenging and then use art to respond?”

The fruit of those discussions is “Better Days,” an exhibition on view beginning today and open through Oct. 26, highlighting how artists “respond to times of uncertainty” with “work that can help make sense of the world.” In the works in the exhibit, drawn from the museum’s collection, “some [artists] imagine a better world, encouraging viewers to find silver linings, while others reveal hidden aspects of conflict, sparking conversation… Collectively, they offer ways to contend with a complex world, urging viewers to celebrate our shared humanity, witness injustice and work to repair division and inequity.”

These themes are especially timely as the U.S. presidential race speeds toward election day and as events worldwide seem to create tumult and fracture rather than hope and healing, Saska says.

“In some of these artworks (in the exhibit), artists are taking stands about racial injustice and political and social conflict, or they’re making artworks related to the AIDS crisis,” she explains. “For the museum, in the climate we have today, taking on these topics kind of feels risky sometimes. We were thinking about all of these things as we curated the exhibit, so hopefully it is thought-provoking even in its challenging aspects. Our goal is that what people really get out of it is positive and reparative. We want them to come away with hope.”

If you go

What: "Better Days" exhibition

When: Aug. 20-Oct. 26; reopening February 2025. Opening celebration from 4-6 p.m. Sept. 12.

Where: �鶹��Ѱ��Art Museum

More information

Daniella Fairley, a junior who is studying art history and ethnic studies with a minor in creative technology and design, completed an eight-week Art Buffs Collective internship with the �鶹��Ѱ��Art Museum during the summer. As part of the internship, Fairley helped curate and create “Better Days.”

“I felt like this exhibit shows the perseverance of the human spirit and how we cope with tragedy,” Fairley says. “In seeing a lot of these art works and learning how they were made, what they represent, their stories, I feel like it's important to show how humans struggle and how we still live through it. Art connects us more than we think, and I hope that people can feel that connection or thread when looking at this show.”

Lead museum attendant Bella Mahlerbe, a student in the bachelor’s-accelerated master’s in art history, also provided curatorial labor for the exhibit. Malherbe worked with fellow Lead museum attendant Riley Ramsay to create a visitor feedback wall where visitors can share responses to the exhibition.

Top image: "Party Picture," by Laurie Simmons (1985) is part of the "Better Days" exhibition now open at the �鶹��Ѱ��Art Museum.

Did you enjoy this article? Subscribe to our newsletter. Passionate about the �鶹��Ѱ��Art Museum? Show your support.

New �鶹��Ѱ��Art Museum exhibit highlights the ways in which art meets challenging times and finds the sometimes-elusive silver lining.

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