/artandarthistory/ en /artandarthistory/newsletter/newsletter/king-exhibition-awards-2026 <span>King Exhibition &amp; Awards 2026</span> <span><span>Kirsten Stoltz</span></span> <span><time datetime="2026-01-08T13:00:22-07:00" title="Thursday, January 8, 2026 - 13:00">Thu, 01/08/2026 - 13:00</time> </span> Art &amp;amp; Art History News <div> <div> <div class="paragraph paragraph--type--newsletter-section paragraph--view-mode--default"> <h2> <div>The King Exhibition &amp; Awards</div> </h2> <div class="ucb-newsletter-section-article "> <div id="feature-article-media-img-0" class="feature-article-img"> <div> <div class="imageMediaStyle large_image_style"> <img loading="lazy" src="/artandarthistory/sites/default/files/styles/large_image_style/public/2025-11/54530996255_aba0c05a4a_k.jpg?itok=oT3P1zJ4" width="1500" height="846" alt="King winners 2025"> </div> </div> </div> <div id="feature-article-user-title-0"> <h3> <div>Art &amp; Art History's most distinguished award &amp; exhibition</div> </h3> </div> <div class="article-summary" id="feature-article-summary-user-text-0"> <p><span>About the King Exhibition &amp; Awards: All awards are based on artistic merit. In 2013, Gretchen King (BA in English ’59) worked with the Department of Art &amp; Art History to establish the King Competition and Exhibition, the department’s first juried student exhibition. Since that time fellow alums, Meridee Moore (BA in Philosophy ’80) and Kevin King (BFA in Fine Arts ’81) have joined Gretchen in generously supporting the annual competition and exhibition, allowing the department to offer undergraduate and graduate students monetary awards, and to showcase their work in the Visual Arts Complex.</span></p><hr><p><span>All Art and Art History majors and graduate students are invited to apply!</span></p><ul><li>$3000 for first-place Grad and Undergrad</li><li>$2000 for second-place Grad and Undergrad</li><li>$1000 for third-place&nbsp;Grad and Undergrad</li><li>$500 for 4 honorable mentions</li></ul><h3><span lang="EN-US"><strong>Submission Deadline: February 2, 2026, 11:59 PM</strong></span></h3><p><a class="ucb-link-button ucb-link-button-blue ucb-link-button-default ucb-link-button-regular" href="/artandarthistory/king-exhibition-awards-2026" rel="nofollow"><span class="ucb-link-button-contents">Link to Application Information</span></a></p><hr><p><strong>The award-winning artwork will be displayed both online and in the Visual Arts Complex:</strong></p><ul><li>A virtual showcase of all applicants and awardees will be featured on the Art and Art History website in conjunction with a curated, in-person exhibition featured at the Visual Arts Complex of the 10 award winners (3 grads and 3 undergrads, and 4 honorable mentions).</li></ul><p><a class="ucb-link-button ucb-link-button-blue ucb-link-button-default ucb-link-button-regular" href="/artandarthistory/king-awards-exhibition" rel="nofollow"><span class="ucb-link-button-contents">Check out the King Exhibition &amp; Awards archive</span></a></p><hr><p><strong>The 2026 jurors:</strong></p><div><div><span><strong>Rory Padeken</strong></span><br>Vicki and Kent Logan Curator of Modern and Contemporary Art, Denver Art Museum, Denver, CO</div><div><div><div><div><div>Rory Padeken develops cross-disciplinary exhibitions and programs that fosters dialog and exchange. His curatorial works is centered on advocacy for artists, expanding the narratives of modern and contemporary art through key acquisitions for museum collections, and examining timely social issues. He joined the Denver Art Museum (DAM) in 2022 as Vicki and Kent Logan Curator of Modern and Contemporary Art and reinstalled the modern and contemporary art galleries to offer a more expansive view of the art of our times.</div><div>&nbsp;</div><div><div><span><strong>Catherine Taft</strong></span><br>Deputy Director, The Brick, Los Angeles<br><span>Catherine Taft is a curator, writer, and Deputy Director of The Brick in Los Angeles. Previously, she held curatorial positions at the Whitney Museum of American Art and at the Getty Research institute. Her 2024 traveling survey of ecofeminist art, ‘Life on Earth,’ received an Andy Warhol Foundation for the Visual Arts Research Fellowship, among other notable grants. A related publication is forthcoming in 2026 through Inventory Press. She is a 2021 Fellow of the Center for Curatorial Leadership and is Adjunct Faculty in the Graduate Art program of Art Center College of Design. Catherine Taft is a �鶹��Ѱ����� alumna.</span></div></div></div></div></div></div></div><p class="small-text"><span lang="EN-US">Photo: King Awardees, 2025</span></p> </div> </div> <div class="ucb-newsletter-section-article "> <div id="feature-article-media-img-1" class="feature-article-img"> <div> <div class="imageMediaStyle large_image_style"> <img loading="lazy" src="/artandarthistory/sites/default/files/styles/large_image_style/public/2025-12/Screenshot%202025-12-08%20at%2010.36.21%E2%80%AFAM.png?itok=gGoHzF6j" width="1500" height="921" alt="Visual Resources Center"> </div> </div> </div> <div id="feature-article-user-title-1"> <h3> <div>Department Resources for Making your Portfolio!</div> </h3> </div> <div class="article-summary" id="feature-article-summary-user-text-1"> <p><strong>When preparing your application for the Art &amp; Art History Scholarships and the King Exhibition &amp; Awards, it is required to submit high-quality images of your artwork. We are here to help!</strong></p><p><span>The Visual Resources Center (VRC) offers a Portfolio Photography Room, photography equipment, digital imaging stations, and training in portfolio photography and digital portfolio management.</span></p><p><a href="/artandarthistory/vrc/create#accordion-228927029-1" data-entity-type="external" rel="nofollow"><span>Explore all the VRC's services and equipment</span></a></p><p><span>The Visual Resources Center&nbsp;is located in the <strong>Visual Arts Complex, Room 310</strong>.</span></p><p><span><strong>Contact information:</strong></span><br><span>The most immediate way for students and faculty to reach us is by chat in </span><a href="http://https//teams.microsoft.com/" rel="nofollow">Microsoft Teams</a><span>: log in with your �鶹��Ѱ�����email address (IdentiKey@colorado.edu) and IdentiKey password, and start a chat with Elaine Paul or Lia Pileggi. You can also email us at </span><a href="mailto:aahvrc@colorado.edu" rel="nofollow">aahvrc@colorado.edu</a><span>&nbsp;with questions.</span></p><p><a href="/artandarthistory/vac-hours" data-entity-type="external" rel="nofollow"><span>Link to the current hours of operation</span></a></p><hr><p>For general questions and concerns, p<span>lease reach out to </span><a href="mailto:finearts@colorado.edu" rel="nofollow"><span>finearts@colorado.edu</span></a><br><span>Main Art &amp; Art History office: Visual Arts Complex, 3rd Floor</span></p> </div> </div> </div> </div> </div> <div class="col-lg-6 col-12"> </div> Thu, 08 Jan 2026 20:00:22 +0000 Kirsten Stoltz 1480 at /artandarthistory /artandarthistory/newsletter/newsletter/visiting-artist-lecture-series-spr26 <span>Visiting Artist Lecture Series, SPR26</span> <span><span>Kirsten Stoltz</span></span> <span><time datetime="2026-01-08T09:36:58-07:00" title="Thursday, January 8, 2026 - 09:36">Thu, 01/08/2026 - 09:36</time> </span> Art &amp;amp; Art History News <div> <div> <div class="paragraph paragraph--type--newsletter-section paragraph--view-mode--default"> <h2></h2> <div class="ucb-newsletter-section-article "> <div id="feature-article-user-title-0"> <h3> <div>Spring Semester Visiting Artist Program</div> </h3> </div> <div class="article-summary" id="feature-article-summary-user-text-0"> <p><span>The Visiting Artist and Scholar Program (established in 1972) aims to reinforce the mission of the Art and Art History Department by inviting leading artists and scholars to present an array of artistic practices, historical discourse and divergent perspectives that can increase access to creativity and forge new territories between the arts and broader cultural movements.</span>​</p><ul><li>All lectures are scheduled for&nbsp;<strong>MONDAYS from&nbsp;4:00-5:00&nbsp;PM</strong></li><li><strong>Location:&nbsp;Visual Arts Complex 1B20 Auditorium</strong>&nbsp;(Lower-level)</li><li>�鶹��Ѱ�����Boulder campus, 1085 18th Street, Boulder, CO 80309</li></ul><p><span>Lectures are recorded and archived in the </span><a href="/artandarthistory/vrc" data-entity-type="external" rel="nofollow"><span>Visual Resources Center Digital Collections</span></a><span>, and they will be available for viewing in the following semester (Fall 2026). We hope you will join us in person for these impressive talks.</span></p><p>Contact: Kirsten Stoltz, visiting artist and scholars program coordinator. <a href="mailto:kirsten.stoltz@colorado.edu" rel="nofollow">kirsten.stoltz@colorado.edu</a>&nbsp;</p> </div> </div> <div class="ucb-newsletter-section-article "> <div id="feature-article-media-img-1" class="feature-article-img"> <div> <div class="imageMediaStyle large_image_style"> <img loading="lazy" src="/artandarthistory/sites/default/files/styles/large_image_style/public/2025-12/thumbnail_5_Gaspar_Clamour_2023.jpg?itok=BPihr239" width="1500" height="1001" alt="Maria Gaspar"> </div> </div> </div> <div id="feature-article-user-title-1"> <h3> <div>Maria Gaspar</div> </h3> </div> <div class="article-summary" id="feature-article-summary-user-text-1"> <p><strong>Monday, January 26th at 4:00 PM</strong><br><strong>Visual Arts Complex Auditorium (lower-level 1B20)</strong></p><hr><p>Maria Gaspar is a Chicago-born, first-generation, interdisciplinary artist negotiating the politics of location through installation, sculpture, sound, and performance. Gaspar’s body of work addresses issues of spatial justice in order to amplify, mobilize, or divert structures of power through individual and collective gestures. For the past decade, Gaspar has been recognized nationally for her multi-year projects that attempt to dismantle borders, transcend penal matter, and turn places of precarity into places of possibility. Formative works like “Radioactive: Stories from Beyond the Wall” and the “96 Acres Project” include site interventions at the largest single-site jail in the country, the Cook County Department of Corrections, in her childhood neighborhood.&nbsp;</p><p>Gaspar has received the Guggenheim Award for Creative Arts, the Latinx Artist Fellowship, the United States Artists Fellowship, the 3Arts Next Level Award, the Frieze Impact Prize, the Sor Juana Women of Achievement Award in Art and Activism from the National Museum of Mexican Art, and the Chamberlain Award for Social Practice from the Headlands Center for the Arts. Gaspar’s projects have been supported by the Art for Justice Fund, the Graham Foundation for Advanced Studies in the Fine Arts, the Robert Rauschenberg Artist as Activist Fellowship, the Creative Capital Award, the Joan Mitchell Emerging Artist Grant, and the Art Matters Foundation. Gaspar has lectured and exhibited extensively at venues including MoMA PS1 and El Museo Del Barrio in New York, NY; the Contemporary Arts Museum, Houston, TX; the Institute of the Arts and Sciences, Santa Cruz, CA; the African American Museum, Philadelphia, PA; and the Pérez Art Museum in Miami, FL.</p><div><span>Gaspar received her BFA in Painting from Pratt Institute in Brooklyn, NY, and her MFA in Studio Arts from the University of Illinois at Chicago. She is Professor at the School of the Art Institute of Chicago.&nbsp;</span></div> </div> </div> <div class="ucb-newsletter-section-article "> <div id="feature-article-media-img-2" class="feature-article-img"> <div> <div class="imageMediaStyle large_image_style"> <img loading="lazy" src="/artandarthistory/sites/default/files/styles/large_image_style/public/2025-12/11.jpg?itok=GkNxEP-O" width="1500" height="982" alt="Judd Schiffman"> </div> </div> </div> <div id="feature-article-user-title-2"> <h3> <div>Judd Schiffman</div> </h3> </div> <div class="article-summary" id="feature-article-summary-user-text-2"> <p><strong>Monday, February 9th at 4:00 PM</strong><br><strong>Visual Arts Complex Auditorium (lower-level 1B20)</strong></p><hr><p><span>Judd Schiffman (b. 1982) is a Providence, Rhode Island based artist working primarily in ceramics. He has lectured at Harvard University Ceramics, Brown University, SUNY New Paltz, and Umass Dartmouth, and participated in residencies at the Zentrum Fur Keramiks in Berlin, Germany, Millay Arts in New York, and Arch Contemporary in Tiverton, Rhode Island. Schiffman received his MFA in Ceramics from �鶹��Ѱ�����Boulder, Post-Baccalaureate in Ceramics from Umass Dartmouth, and BA from Prescott College in Holistic Health. Schiffman’s work has been exhibited throughout the United States, most recently at Headstone Gallery, Kingston, NY and Emerson Dorsch Gallery, Miami. In 2016, he received an emerging artists award from the National Council for the Education of Ceramic Arts, and in 2025, he received the Hopper Prize. Schiffman is currently Assistant Professor of Ceramics at Providence College and is represented by Headstone Gallery.&nbsp;</span></p> </div> </div> <div class="ucb-newsletter-section-article "> <div id="feature-article-media-img-3" class="feature-article-img"> <div> <div class="imageMediaStyle large_image_style"> <img loading="lazy" src="/artandarthistory/sites/default/files/styles/large_image_style/public/2025-12/new-ecology-4x.png?itok=_EPso0cq" width="1500" height="1000" alt="Nick Briz"> </div> </div> </div> <div id="feature-article-user-title-3"> <h3> <div>Nick Briz</div> </h3> </div> <div class="article-summary" id="feature-article-summary-user-text-3"> <p><strong>Monday, March 9th at 4:00 PM</strong><br><strong>Visual Arts Complex Auditorium (lower-level 1B20)</strong></p><hr><p><span>Nick Briz is an internationally recognized new-media artist, educator and organizer. His work investigates the promises and perils of living in an increasingly digital and networked world. He is an active participant in various online communities and conversations including glitch art, net art, remix culture, digital literacy, hacktivism and digital rights.</span><br><br><span>He has shared his work internationally at major festivals such as FILE Media Arts Festival in Rio de Janeiro, Brazil, the Mozilla Festival in London, and the Images Festival in Toronto Canada, as well as major cultural institutions such as the Pérez Art Museum in Miami, the Pinakothek der Modern in Munich, the Tate Exchange in London and the Museum of Contemporary Art Chicago, among others.&nbsp;</span><br><br><span>As an organizer he has been invited to curate events at various international galleries and conferences, he co-founded and ran an international new-media art conference called GLI.TC/H (2010-2012, 2023), co-ran an experimental performance series in Chicago called NO-MEDIA (2012-2016), and most recently organized a public lecture series called d.r.e.a.m. (data rules everything around me) for Mozilla (2015, 2018-2019).</span><br><br><span>He's an Assistant Instructional Professor in the Media Art and Design program at the University of Chicago.</span></p> </div> </div> <div class="ucb-newsletter-section-article "> <div id="feature-article-media-img-4" class="feature-article-img"> <div> <div class="imageMediaStyle large_image_style"> <img loading="lazy" src="/artandarthistory/sites/default/files/styles/large_image_style/public/2025-12/2025_MattersOfConsequence_.JPG?itok=leTkA1T6" width="1500" height="998" alt="Lan Tuazon"> </div> </div> </div> <div id="feature-article-user-title-4"> <h3> <div>Lan Tuazon</div> </h3> </div> <div class="article-summary" id="feature-article-summary-user-text-4"> <p><strong>Monday, March 30th at 4:00 PM</strong><br><strong>Visual Arts Complex Auditorium (lower-level 1B20)</strong></p><hr><p><span>Lan Tuazon (b.1976, Philippines) is a sculptor who lives and works in Chicago as Chair and Associate Professor of Sculpture at the School of Art Institute in Chicago. She leads research into material invention and is known for a ten-year trilogy titled, </span><em>Shift in the Order of Things</em><span> on the production of space, tradition, and futurity. Lan Tuazon is 2025 Joan Mitchel Fellow, 3Arts Next Level Artist Award, and the 2024 Rome Prize Fellow in Terra Foundation Fellowship at the American Academy in Rome. Her most recent and current exhibitions include Hammer Museum in 2024 and Boston Triennial in 2025. Solo exhibitions of her work include the Visual Arts Center in Texas, Brooklyn Museum and Storefront of Art and Architecture in New York, and the Hyde Park Art Center in Chicago. Lan Tuazon has exhibited internationally at Neue Galerie in the Imperial Palace of Austria, Bucharest Biennale 4, the WKV Kunstverein in Germany and the Lowry Museum in London. She was awarded artist in residence fellowships at the Akademie Schloss Solitude, Headlands Art Center, and Civitella Ranieri in Italy. Group shows of her work were exhibited in multiple venues including 8th Floor Rubin Foundation, Artist Space, Redcat Gallery, Canada Gallery, Sculpture Center, Apex Art, Exit Art, and Kunstlerhaus in Stuttgart Germany.&nbsp;</span></p> </div> </div> <div class="ucb-newsletter-section-article "> <div id="feature-article-media-img-5" class="feature-article-img"> <div> <div class="imageMediaStyle large_image_style"> <img loading="lazy" src="/artandarthistory/sites/default/files/styles/large_image_style/public/2025-12/7_Madsen_Cabin%20Fever..jpg?itok=chGJxmO9" width="1500" height="1125" alt="Barbara Madsen"> </div> </div> </div> <div id="feature-article-user-title-5"> <h3> <div>Barbara Madsen</div> </h3> </div> <div class="article-summary" id="feature-article-summary-user-text-5"> <p><strong>Monday, April 13th at 4:00 PM</strong><br><strong>Visual Arts Complex Auditorium (lower-level 1B20)</strong></p><hr><p>Barbara Madsen is an artist and Professor at Mason Gross School of the Arts, Rutgers University. Madsen’s practice is at the intersection of sculpture, prints, painting, ready-mades, and photography. Her vast collections of industrial matter -- spark plugs, machine parts, welding masks, light switches, rubber, plastic, prosthetics, artificial eyes, toys and much more – serve as the stimulus for the work. Her work is riddled with skeptical questions about society, civilization and collapse. Who is the Guardian and who is the Barbarian? Who enters the gate and who’s banned? She aims to lift the lid off canonical hierarchical art forms and queer space. Her work is an ever-evolving quest that picks out and unravels a new thread about greed and power to see how far she can push farcical realities from the primitive to the futuristic. Her explosive use of color is in the service of creating awkward, ridiculously sublime sculptures-works and installations that seem to infect, corrupt, and devour the universe. Yet, seeks joy and sustenance to find balance in an absurd world.</p><p>She has had solo exhitions theBlanc Gallery in NYC; Qi Fengge Musuem of Print History, Shenzen, China; MGalleries, NJ; New York Public Library, NYC; Scuola de Grafica, Venice, Italy; Sykes Gallery, PA; Lowry Lab Theater, MN; Palacky University, Czech Republic; Graphics Collective Gallery, Belgrade, Serbia; Recitation Gallery, DE; Pratt Studios Gallery, Brooklyn; Benedicta Art Center, MN; Sommers Gallery, MN; Minneapolis College of Art and Design, MN; and Tyler School of Art, PA, among others. Madsen has been included over 100 group exhibitions.</p><p>Madsen's works are in the collections of the Legion of Honor, San Francisco Museum of Art, Princeton University firestone Library, Swarthmore College, Lafayette CollgeLibrary of Congress, Dartmouth College, University of Sharijah: United Arab Emirates, Guanlan Print Museum, Shenzhen, China, New York Public Library, and the Amoco Corporation.</p> </div> </div> </div> </div> </div> <div class="col-lg-6 col-12"> </div> Thu, 08 Jan 2026 16:36:58 +0000 Kirsten Stoltz 1478 at /artandarthistory /artandarthistory/newsletter/newsletter/open-seats-spring-2026 <span>Open Seats, Spring 2026</span> <span><span>Kirsten Stoltz</span></span> <span><time datetime="2026-01-06T09:29:57-07:00" title="Tuesday, January 6, 2026 - 09:29">Tue, 01/06/2026 - 09:29</time> </span> Art &amp;amp; Art History News <div> <div> <div class="paragraph paragraph--type--newsletter-section paragraph--view-mode--default"> <h2> <div>Spring 2026 Classes with Open Seats</div> </h2> <div class="ucb-newsletter-section-article "> <div id="feature-article-media-img-0" class="feature-article-img"> <div> <div class="imageMediaStyle large_image_style"> <img loading="lazy" src="/artandarthistory/sites/default/files/styles/large_image_style/public/2026-01/Screenshot%202026-01-06%20at%209.32.42%E2%80%AFAM.png?itok=FvwzV7Ih" width="1500" height="2156" alt="art history"> </div> </div> </div> <div id="feature-article-user-title-0"> <h3> <a href="https://classes.colorado.edu/"> <div>Art History</div> </a> </h3> </div> <div class="article-summary" id="feature-article-summary-user-text-0"> <p><span><strong>Capstone Seminar in Art History: Ornament and Meaning in the Middle Ages (ARTH 4919-001)</strong></span><br><span>T, Th 12:30pm-1:45pm</span></p><p><span>This course examines the use and meaning of ornamental motifs in art from late antiquity to the fifteenth century. We will also explore modern theories of ornament and their application to medieval art.</span></p> </div> </div> <div class="ucb-newsletter-section-article "> <div id="feature-article-media-img-1" class="feature-article-img"> <div> <div class="imageMediaStyle large_image_style"> <img loading="lazy" src="/artandarthistory/sites/default/files/styles/large_image_style/public/2026-01/Osorio_barberia.jpg?itok=TSbUU0xT" width="1500" height="844" alt="art history"> </div> </div> </div> <div id="feature-article-user-title-1"> <h3> <a href="https://classes.colorado.edu/"> <div>Art History</div> </a> </h3> </div> <div class="article-summary" id="feature-article-summary-user-text-1"> <p><span><strong>Topics in Art History: Latinx Art (ARTH 3919)</strong></span><br><span>MWF 10:10am-11am</span></p><p><span>Latinx Art Surveys the work of artists from both longstanding and more recently established Latinx communities in the United States (Mexican American and Chicana/o/x, Puerto Rican and Nuyorican/Diasporican, Cuban American, Dominican American, and South and Central American diasporic, etc.) during the twentieth and twenty-first centuries. Examines the social, political, and historical factors that inform Latinx artists’ wide-ranging forms of artistic practice.</span></p> </div> </div> <a href="https://classes.colorado.edu/" class="button button-blue">Link to more course information</a> </div> </div> <div> <div class="paragraph paragraph--type--newsletter-section paragraph--view-mode--default"> <h2> <div>Enroll today!</div> </h2> <div class="ucb-newsletter-section-article "> <div id="feature-article-media-img-0" class="feature-article-img"> <div> <div class="imageMediaStyle large_image_style"> <img loading="lazy" src="/artandarthistory/sites/default/files/styles/large_image_style/public/2025-07/Screenshot%202025-07-25%20at%2010.32.50%E2%80%AFAM.png?itok=E9lp4E5Y" width="1500" height="594" alt="Marina class"> </div> </div> </div> <div id="feature-article-user-title-0"> <h3> <div>Art Practices Courses</div> </h3> </div> <div class="article-summary" id="feature-article-summary-user-text-0"> <div><strong>Photography (ARTS 3191, 4161, 5161)</strong><br><span>MW 10:10am-12:40pm</span><br><span>Continues the exploration of the possibility of individual photographic expression. Students are encouraged to discover and develop a personal position in relation to the medium.</span></div><div>&nbsp;</div><div><strong>Studio Arts 1 (ARTS 1010)</strong></div><ul><li><div>Section 009: Fridays 9:00am-2:00pm</div></li><li><div>Section 010: <span>TTh 12:30pm-3pm</span></div></li></ul><div><span>Presents creative activity conceptually, and art history thematically, with an interdisciplinary, experimental, and multicultural focus. Fine arts majors explore visual literacy and culture through presentations and student-centered projects that emphasize individual development.</span></div><div>&nbsp;</div><div><strong>Drawing and Painting Specialized Investigation (ARTS 4222/5222)</strong><br><span>MW 9:05am-11:35am</span><br><span>This course is a concentrated study of a narrow topic (rotating) chosen by a Drawing &amp; Painting faculty member. Experiments in the expanded field of drawing and painting will allow students to study course materials that defy conventional academic course classifications and approaches.</span></div><hr><div><strong>Continuing Education Classes:</strong><br>&nbsp;</div><div><strong>Basic Sculpture: Materials and Techniques (ARTS 2504)</strong><br><span>MW 5:20pm-7:50pm</span><br><span>Introduces the basic properties of metal, wood and mold making. Students will explore and demonstrate an understanding of basic fabrication methods involved in each element. Students will investigate both traditional and non-traditional working methods and will consider how materials and techniques inform sculptural concepts.</span></div><div>&nbsp;</div><div><strong>Photography for Non-Majors (ARTS 1171)</strong></div><div><span>TTh 6:30pm-9pm</span><br><span>An introduction to contemporary photographic practice. The course introduces photographic technique, history, and image evaluation while emphasizing visual literacy, conceptual development and personal expression.</span><br>&nbsp;</div><div><strong>Digital Art 1 (ARTS 2126)</strong><br><span>MW 6:30pm-9pm</span><br><span>An introductory course in the use of the personal computer to create and process images in the visual arts.</span></div><div>&nbsp;</div><div><div><strong>Introduction to Studio Art (ARTS 1010)</strong></div><div><span>TTh 6pm-8:30pm</span><br><span>Presents creative activity conceptually, and art history thematically, with an interdisciplinary, experimental, and multicultural focus. Fine arts majors explore visual literacy and culture through presentations and student-centered projects that emphasize individual development.</span></div></div> </div> </div> <a href="https://classes.colorado.edu/" class="button button-blue">Link to more course information</a> </div> </div> </div> <div class="col-lg-6 col-12"> </div> Tue, 06 Jan 2026 16:29:57 +0000 Kirsten Stoltz 1479 at /artandarthistory /artandarthistory/newsletter/newsletter/newsletter-december-2-2025 <span>Newsletter, December 2, 2025</span> <span><span>Kirsten Stoltz</span></span> <span><time datetime="2025-12-02T11:48:21-07:00" title="Tuesday, December 2, 2025 - 11:48">Tue, 12/02/2025 - 11:48</time> </span> Art &amp;amp; Art History News <div> <div> <div class="paragraph paragraph--type--newsletter-section paragraph--view-mode--default"> <h2> <div>Events this week!</div> </h2> <div class="row row-content"> <div class="col-lg-6 col-12 pb-4"> <div class="teaser-article-img px-2"> <img src="/artandarthistory/sites/default/files/styles/focal_image_square/public/2025-12/Coffee.jpg?h=a4c52c70&amp;itok=DDcZRpf2" alt="coffee"> </div> <h3> <div>Free coffee and tea in the VRC during last week of classes</div> </h3> <div class="article-summary" id="teaser-article-summary-user-text--0"> <p><span>Join us for coffee and tea in the VRC</span>&nbsp;(room 310)<span>&nbsp;during the last week of classes</span>. <span>10am - </span>4pm or when the coffee runs out­—whichever comes first<span>. Best of luck with your finals</span>, papers, crits, and grading<span>!</span></p> </div> </div> <div class="col-lg-6 col-12 pb-4"> <div class="teaser-article-img px-2"> <img src="/artandarthistory/sites/default/files/styles/focal_image_square/public/2025-12/NY_YAG_YORAG_349-001.jpg?h=ddf7963b&amp;itok=IrO3kAqK" alt="Hogarth's Studio in 1739 by the British artist Edward Matthew Ward"> </div> <h3> <div>Art History Club Meet-up</div> </h3> <div class="article-summary" id="teaser-article-summary-user-text--1"> <div><p><span>Please join the Art History Club for an End-of-Semester Social!</span></p><p><span>Stop by for holiday treats, art history themed activities, conversation, and merriment. We hope to see you there!</span></p><p><span><strong>Date: Wednesday, December 3 (TOMORROW!)</strong></span><br><span>Time: 3:00-5:00pm</span><br><span>Place: VAC 303</span></p><p><span>Questions? Please contact Christine Bachman, </span><a href="mailto:christine.bachman@colorado.edu" rel="nofollow"><span>christine.bachman@colorado.edu</span></a></p></div> </div> </div> <div class="col-lg-6 col-12 pb-4"> <div class="teaser-article-img px-2"> <img src="/artandarthistory/sites/default/files/styles/focal_image_square/public/2025-11/Screenshot%202025-11-18%20at%202.15.56%E2%80%AFPM.png?h=79e246e1&amp;itok=x2k0maEq" alt="MFA thesis 2025"> </div> <h3> <div>MFA Thesis Exhibition, Fall 2025</div> </h3> <div class="article-summary" id="teaser-article-summary-user-text--2"> <div><p>Featuring works by: <strong>Annaliese Cole-Weiss, Tiana Boisseau-Palo and Abigail Bernstein</strong></p><p><strong>Opening reception: Friday, December 5th, 4-6 PM</strong><br>Exhibition: December 2nd to 11th</p><p>�鶹��Ѱ�����Art Museum<br>Hours: Tuesday-Saturday, 10 AM to 4 PM</p></div> </div> </div> <div class="col-lg-6 col-12 pb-4"> <div class="teaser-article-img px-2"> <img src="/artandarthistory/sites/default/files/styles/focal_image_square/public/2025-12/Screenshot%202025-12-02%20at%202.38.04%E2%80%AFPM.png?h=5d6804ce&amp;itok=Nh7l2cZa" alt="dungeon art show"> </div> <h3> <div>Dungeon Art Show</div> </h3> <div class="article-summary" id="teaser-article-summary-user-text--3"> <p>Exhibiting works from Photo 1, Photo 3, Photo 4, Foundations and Digital Art</p><ul><li><strong>On view starting December 3rd in the Visual Arts Complex basement (lower-level!</strong></li><li><strong>Reception on December 3rd (free food &amp; drinks!)</strong></li><li><strong>Free Entry</strong></li></ul> </div> </div> </div> </div> </div> <div> <div class="paragraph paragraph--type--newsletter-section paragraph--view-mode--default"> <h2> <div>Faculty News</div> </h2> <div class="row row-content"> <div class=" col-12 pb-4"> <div class="teaser-article-img px-2"> <img src="/artandarthistory/sites/default/files/styles/focal_image_square/public/2025-12/Screenshot%202025-12-02%20at%2012.20.15%E2%80%AFPM.png?h=62a2fb3c&amp;itok=XkZJ2liV" alt="History of Asian Art"> </div> <h3> <div>Stephanie Su, Associate Professor, History of Asian Art</div> </h3> <div class="article-summary" id="teaser-article-summary-user-text--0"> <p><span>Prof. Stephanie Su’s monograph, </span><a href="https://nam10.safelinks.protection.outlook.com/?url=https%3A%2F%2Fbrill.com%2Fdisplay%2Ftitle%2F72337&amp;data=05%7C02%7CKirsten.Stoltz%40Colorado.EDU%7C35877b325ec44933159608de30f38418%7C3ded8b1b070d462982e4c0b019f46057%7C1%7C0%7C639002019681475761%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&amp;sdata=cF1blHwR5anS0ZBJfjEZKR6qQvYuL5bwtuwN5mxuW2o%3D&amp;reserved=0" rel="nofollow"><em>History Painting Crossing Borders: A Transnational History of Modern Art in Early Twentieth Century China and Japan</em></a><span>, has been published by De Gruyter Brill. Weaving together a diverse range of materials in Chinese, Japanese, and French, Prof. Su showcases a transnational history of modern art in East Asia. &nbsp;This book highlights a previously under-examined moment in global art history and uncovers a crucial relationship between art practice and art historical writing. Bringing together aesthetics, literature, gender studies, and geopolitics, </span><em>History Painting Crossing Borders</em><span>&nbsp;charts a new path for thinking about the multilayered and multidirectional histories of modernism in East Asia. &nbsp;</span></p> </div> </div> </div> </div> </div> <div> <div class="paragraph paragraph--type--newsletter-section paragraph--view-mode--default"> <h2> <div>Department Announcements</div> </h2> <div class="row row-content"> <div class=" col-12 pb-4"> <div class="teaser-article-img px-2"> <img src="/artandarthistory/sites/default/files/styles/focal_image_square/public/2025-11/Screenshot%202025-11-19%20at%2011.09.18%E2%80%AFAM.png?h=cd485316&amp;itok=Q2lWmtC9" alt="dollar signs"> </div> <h3> <div>Art &amp; Art History Scholarships</div> </h3> <div class="article-summary" id="teaser-article-summary-user-text--0"> <h4><strong>The application portal is now open!</strong></h4><p><span>The Department of Art and Art History offers merit-based awards for undergraduate and graduate students that are made possible through the generosity of our donors.</span></p><p><span>A faculty committee reviews the applications each spring semester and determines the number and amount of awards. Scholarships vary from $100 – $2,000. Typically, the funds associated with these awards defray tuition expenses and are posted to the student's bill.</span></p><p><strong>Deadline to apply: March 15, 2026</strong></p><hr><p><strong>Eligibility &amp; Rules</strong></p><ul><li>Undergraduate students: Majors and BAM students in Art History or Arts Practices, may apply</li><li><span>Graduate students: MFA Arts Practices and MA Art History</span></li><li>Students must be currently enrolled in Art and Art History courses</li></ul><p><a class="ucb-link-button ucb-link-button-blue ucb-link-button-default ucb-link-button-regular" href="/artandarthistory/student-opportunities/scholarships-0" rel="nofollow"><span class="ucb-link-button-contents">More Information about Scholarships</span></a></p><hr><p>Don't forget about the Visual Resources Center (VRC) when preparing your portfolio! <span>The VRC offers a Portfolio Photography Room, photography equipment, digital imaging stations, and training in portfolio photography and digital portfolio management.</span></p><p><span>The Visual Resources Center&nbsp;is located in the <strong>Visual Arts Complex, Room 310</strong>.</span></p> </div> </div> </div> </div> </div> </div> <div class="col-lg-6 col-12"> </div> Tue, 02 Dec 2025 18:48:21 +0000 Kirsten Stoltz 1476 at /artandarthistory /artandarthistory/newsletter/newsletter/scholarships-and-king-exhibition-awards <span>Scholarships and King Exhibition &amp; Awards</span> <span><span>Kirsten Stoltz</span></span> <span><time datetime="2025-11-19T11:05:45-07:00" title="Wednesday, November 19, 2025 - 11:05">Wed, 11/19/2025 - 11:05</time> </span> Art &amp;amp; Art History News <div> <div> <div class="paragraph paragraph--type--newsletter-section paragraph--view-mode--default"> <h2> <div>Art &amp; Art History Scholarships</div> </h2> <div class="ucb-newsletter-section-article "> <div id="feature-article-media-img-0" class="feature-article-img"> <div> <div class="imageMediaStyle large_image_style"> <img loading="lazy" src="/artandarthistory/sites/default/files/styles/large_image_style/public/2025-11/Screenshot%202025-11-19%20at%2011.09.18%E2%80%AFAM.png?itok=D2l1HcDN" width="1500" height="1009" alt="dollar signs"> </div> </div> </div> <div id="feature-article-user-title-0"> <h3> <div>Important Scholarship Application Details</div> </h3> </div> <div class="article-summary" id="feature-article-summary-user-text-0"> <p><span>The Department of Art and Art History offers merit-based awards for undergraduate and graduate students that are made possible through the generosity of our donors.&nbsp;</span></p><p><span>A faculty committee reviews the applications each spring semester and determines the number and amount of awards. Scholarships vary from $100 – $2,000. Typically, the funds associated with these awards defray tuition expenses and are posted to the student's bill.</span></p><h3><span><strong>Application portal opens: December 1, 2025</strong></span></h3><p><strong>Deadline to apply: March 15, 2026</strong></p><hr><p><strong>Eligibility &amp; Rules</strong></p><ul><li>Undergraduate students: Majors and BAM students in Art History or Arts Practices, may apply</li><li><span>Graduate students: MFA Arts Practices and MA Art History</span></li><li>Students must be currently enrolled in Art and Art History courses</li></ul><p><a class="ucb-link-button ucb-link-button-blue ucb-link-button-default ucb-link-button-regular" href="/artandarthistory/student-opportunities/scholarships-0" rel="nofollow"><span class="ucb-link-button-contents">More Information about Scholarships</span></a></p> </div> </div> </div> </div> <div> <div class="paragraph paragraph--type--newsletter-section paragraph--view-mode--default"> <h2> <div>King Exhibition &amp; Award</div> </h2> <div class="ucb-newsletter-section-article "> <div id="feature-article-media-img-0" class="feature-article-img"> <div> <div class="imageMediaStyle large_image_style"> <img loading="lazy" src="/artandarthistory/sites/default/files/styles/large_image_style/public/2025-11/54530996255_aba0c05a4a_k.jpg?itok=oT3P1zJ4" width="1500" height="846" alt="King winners 2025"> </div> </div> </div> <div id="feature-article-user-title-0"> <h3> <div>Mark your calendar!</div> </h3> </div> <div class="article-summary" id="feature-article-summary-user-text-0"> <div><p>Look for an announcement the beginning of January with more details about applying.</p><p>About this award: In 2013, Gretchen King (BA in English’59) worked with the Department of Art &amp; Art History to establish the King Competition and Exhibition, the department’s first juried student exhibition. Since that time fellow alums, Meridee Moore (BA in Philosophy ’80) and Kevin King (BFA in Fine Arts ’81) have joined Gretchen in generously supporting the annual competition and exhibition, allowing the department to offer undergraduate and graduate students monetary awards, and to showcase their work in the Visual Arts Complex.<br><br><span>All Art and Art History undergraduate majors and graduate students are encouraged to apply!</span></p><ul><li>$3000 for first-place Grad and Undergrad</li><li>$2000 for second-place Grad and Undergrad</li><li>$1000 for third-place&nbsp;Grad and Undergrad</li><li>$500 for 4 honorable mentions</li></ul><h3><span lang="EN-US"><strong>Application opens: January 12, 2026</strong></span></h3><p><span lang="EN-US"><strong>Submission Deadline: February 2, 2026, 11:59 PM</strong></span></p><p><a class="ucb-link-button ucb-link-button-blue ucb-link-button-default ucb-link-button-regular" href="/artandarthistory/king-awards-exhibition" rel="nofollow"><span class="ucb-link-button-contents">Check out the King Exhibition &amp; Awards archive</span></a></p><p class="small-text"><span lang="EN-US">Photo: King Awardees, 2025</span></p></div> </div> </div> </div> </div> <div> <div class="paragraph paragraph--type--newsletter-section paragraph--view-mode--default"> <h2> <div>The Visual Resources Center</div> </h2> <div class="ucb-newsletter-section-article "> <div id="feature-article-media-img-0" class="feature-article-img"> <div> <div class="imageMediaStyle large_image_style"> <img loading="lazy" src="/artandarthistory/sites/default/files/styles/large_image_style/public/2025-09/20180418_0273.jpg?itok=aPteZZ8i" width="1500" height="1000" alt="VRC equipment"> </div> </div> </div> <div id="feature-article-user-title-0"> <h3> <div>Build a professional artwork portfolio!</div> </h3> </div> <div class="article-summary" id="feature-article-summary-user-text-0"> <p>When preparing your application for the Art &amp; Art History Scholarships and the King Exhibition &amp; Awards, it is required to submit high-quality images of your artwork. We are here to help!&nbsp;</p><p><span>The Visual Resources Center (VRC) offers a Portfolio Photography Room, photography equipment, digital imaging stations, and training in portfolio photography and digital portfolio management.</span></p><p><a href="/artandarthistory/vrc/create#accordion-228927029-1" data-entity-type="external" rel="nofollow"><span>Explore all the VRC's services and equipment</span></a></p><p><span>The Visual Resources Center&nbsp;is located in the <strong>Visual Arts Complex, Room 310</strong>.</span></p><p><span><strong>Contact information:</strong></span><br><span>The most immediate way for students and faculty to reach us is by chat in </span><a href="http://https//teams.microsoft.com/" rel="nofollow">Microsoft Teams</a><span>: log in with your �鶹��Ѱ�����email address (IdentiKey@colorado.edu) and IdentiKey password, and start a chat with Elaine Paul or Lia Pileggi. You can also email us at </span><a href="mailto:aahvrc@colorado.edu" rel="nofollow">aahvrc@colorado.edu</a><span>&nbsp;with questions.</span></p><p><a href="/artandarthistory/vac-hours" data-entity-type="external" rel="nofollow"><span>Link to the current hours of operation</span></a></p> </div> </div> </div> </div> </div> <div class="col-lg-6 col-12"> </div> Wed, 19 Nov 2025 18:05:45 +0000 Kirsten Stoltz 1475 at /artandarthistory /artandarthistory/newsletter/newsletter/newsletter-november-18-2025 <span>Newsletter, November 18, 2025</span> <span><span>Kirsten Stoltz</span></span> <span><time datetime="2025-11-18T12:02:56-07:00" title="Tuesday, November 18, 2025 - 12:02">Tue, 11/18/2025 - 12:02</time> </span> Art &amp;amp; Art History News <div> <div> <div class="paragraph paragraph--type--newsletter-section paragraph--view-mode--default"> <h2> <div>Upcoming Events</div> </h2> <div class="ucb-newsletter-section-article "> <div id="feature-article-media-img-0" class="feature-article-img"> <div> <div class="imageMediaStyle large_image_style"> <img loading="lazy" src="/artandarthistory/sites/default/files/styles/large_image_style/public/2025-11/Screenshot%202025-11-18%20at%202.15.56%E2%80%AFPM.png?itok=EhoYSRcZ" width="1500" height="732" alt="MFA thesis 2025"> </div> </div> </div> <div id="feature-article-user-title-0"> <h3> <div>MFA Thesis Exhibition, Fall 2025</div> </h3> </div> <div class="article-summary" id="feature-article-summary-user-text-0"> <p>Featuring works by: <strong>Annaliese Cole-Weiss, Tiana Boisseau-Palo and Abigail Bernstein</strong></p><p>Opening reception: Friday, December 5th, 4-6 PM<br>Exhibition: December 2nd to 11th</p><p>�鶹��Ѱ�����Art Museum<br>Hours: Tuesday-Saturary, 10 AM to 4 PM</p> </div> </div> <div class="ucb-newsletter-section-article "> <div id="feature-article-media-img-1" class="feature-article-img"> <div> <div class="imageMediaStyle large_image_style"> <img loading="lazy" src="/artandarthistory/sites/default/files/styles/large_image_style/public/2025-11/Screenshot%202025-11-18%20at%202.09.14%E2%80%AFPM.png?itok=8d53gMIB" width="1500" height="415" alt="digital art"> </div> </div> </div> <div id="feature-article-user-title-1"> <h3> <div>Projection Mapping Exhibition at BMoCA</div> </h3> </div> <div class="article-summary" id="feature-article-summary-user-text-1"> <p><span>The TECHNE Lab at the �鶹��Ѱ����� announces <strong>BeaMoCA</strong>, a one-night-only pop-up exhibition featuring immersive projection-mapping installations by more than a dozen advanced digital art students. This pop-up showcase transforms BMoCA’s event space into a vibrant, illuminated environment where architecture becomes canvas and digital art spills into physical space. Visitors will encounter a series of experimental, immersive projections created by �鶹��Ѱ�����Boulder artists exploring narrative, abstraction, worldbuilding, distortion, and spatial transformation.</span></p><p><span>The exhibition is <strong>facilitated by Corrina Espinosa</strong>, Assistant Teaching Professor of Art &amp; Tech at �鶹��Ѱ�����Boulder</span></p><p><span><strong>BeaMoCA: Projection Mapping Pop-Up Exhibition</strong></span><br><span>Thursday, November 20th, 2025 from 7–9 PM</span><br><span>Boulder Museum of Contemporary Art (BMoCA), 1750 13th St, Boulder, CO</span><br><span>Admission:&nbsp;Free &amp; Open to the Public</span></p> </div> </div> <div class="ucb-newsletter-section-article "> <div id="feature-article-media-img-2" class="feature-article-img"> <div> <div class="imageMediaStyle large_image_style"> <img loading="lazy" src="/artandarthistory/sites/default/files/styles/large_image_style/public/2025-11/Screenshot%202025-11-18%20at%202.13.34%E2%80%AFPM.png?itok=uRnbUlYQ" width="1500" height="848" alt="Art history"> </div> </div> </div> <div id="feature-article-user-title-2"> <h3> <div>Art History Club</div> </h3> </div> <div class="article-summary" id="feature-article-summary-user-text-2"> <p><span>Please join the Art History Club for an End-of-Semester Social!</span></p><p><span>Stop by for holiday treats, art history themed activities, conversation, and merriment. We hope to see you there!</span></p><p><span>Date: Wednesday, December 3</span><br><span>Time: 3:00-5:00pm</span><br><span>Place: VAC 303</span></p><p><span>Questions? Please contact Christine Bachman, </span><a href="mailto:christine.bachman@colorado.edu" rel="nofollow"><span>christine.bachman@colorado.edu</span></a></p> </div> </div> </div> </div> <div> <div class="paragraph paragraph--type--newsletter-section paragraph--view-mode--default"> <h2> <div>Faculty News</div> </h2> <div class="ucb-newsletter-section-article "> <div id="feature-article-media-img-0" class="feature-article-img"> <div> <div class="imageMediaStyle large_image_style"> <img loading="lazy" src="/artandarthistory/sites/default/files/styles/large_image_style/public/2025-11/3_M_Kassianidou_Drapings_Diptych.jpg?itok=9N53TejV" width="1500" height="1073" alt="Marina Kassianidou"> </div> </div> </div> <div id="feature-article-user-title-0"> <h3> <div>Marina Kassianidou, Associate Professor</div> </h3> </div> <div class="article-summary" id="feature-article-summary-user-text-0"> <div>Marina Kassianidou is participating in the Galichnik Art Colony Biennial exhibition <em>Collective Cultural Memory: Postmemory</em>,&nbsp;<em> </em>at the Multimedia Center Mala Stanica of the National Gallery of North Macedonia, Skopje, Republic of North Macedonia. The exhibition is curated by Dr. Ana Frangovska.</div><div>Opening: November 12, 2025</div><div>Duration: November 12 - 25, 2025</div><div>&nbsp;</div><div>Marina is also participating in the group exhibition <em>Everything Signs its Name</em>, at MISC Athens, Greece. The exhibition is curated by Eria Dapola. From the press release: "From soft gestures to fleeting traces, <em>Everything Signs Its Name</em>&nbsp;uncovers the infraordinary: the quiet details that make up our everyday lives. Bringing together nine artists, the exhibition turns to what usually goes unnoticed: the moments, sounds, and materials that silently hold our histories."</div><div>Opening: November 20, 2025</div><div>Duration: November 20, 2025 - January 31, 2026</div><div><a href="https://nam10.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.artrabbit.com%2Fevents%2Feverything-signs-its-name&amp;data=05%7C02%7CKirsten.Stoltz%40Colorado.EDU%7Cc6fec045d5aa4f218d8c08de22dbe83a%7C3ded8b1b070d462982e4c0b019f46057%7C1%7C0%7C638986525047612596%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&amp;sdata=DgUZsjHahsxLNZ4TXNAZqj824DZu%2BfLY52NdlxAAtkI%3D&amp;reserved=0" rel="nofollow">https://www.artrabbit.com/events/everything-signs-its-name</a></div> </div> </div> </div> </div> <div> <div class="paragraph paragraph--type--newsletter-section paragraph--view-mode--default"> <h2> <div>Campus news</div> </h2> <div class="ucb-newsletter-section-article "> <div id="feature-article-user-title-0"> <h3> <div>Native American Heritage Month</div> </h3> </div> <div class="article-summary" id="feature-article-summary-user-text-0"> <p><span>In honor of Native American Heritage Month, join us for a lunch &amp; learn exploring queer Indigenous identities with Dr. Chris Finley of the University of Southern California on&nbsp;<strong>Wednesday 11/19 from 12-2pm at the Center for British and Irish Studies (CBIS) in Norlin Library.</strong></span></p><p><span>For most Native communities, being 2SQI (Two-Spirit Queer Indigenous) is traditional. Yet, settler and Indigenous nations, families, and communities are not always respectful and inclusive of 2SQI individuals.&nbsp;Indigenous queer and Two-Spirit issues are discussed infrequently within Native American studies or in Native communities and marginalized in LGBTQIA+ discourse. Sexuality, since colonial contact, has judgment, normalizing, and disciplining ideas attached to it, and no one wants to say the wrong thing, but taking the time to explore queer Indigenous sexual identities, and the associated vernacular (2SQI, Two-Spirit, 2Spirit, Indiqueer, Indequeer) illustrates the beauty of acceptance and decolonizing concepts of community and inclusion.</span></p><p><span>Dr. Chris Finley is a member of the Colville Confederated Tribes in what is now known as Eastern Washington. She received her PhD in American Culture from the University of Michigan and is a co-editor and contributor to “Queer Indigenous Studies: Critical Interventions in Theory, Politics and Literature” (University of Arizona Press).</span></p><p><span><strong>RSVP&nbsp;</strong></span><a href="https://nam10.safelinks.protection.outlook.com/?url=https%3A%2F%2Fcolorado.libcal.com%2Fevent%2F15768115&amp;data=05%7C02%7Ckirsten.stoltz%40colorado.edu%7C3e41085b07e74ee2223e08de26d14636%7C3ded8b1b070d462982e4c0b019f46057%7C1%7C0%7C638990877532718599%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&amp;sdata=3yNK%2FRXlt7vXTtmEIP3%2FaktWrt0nQCktIpLMkgLqU3E%3D&amp;reserved=0" rel="nofollow"><span><strong>here</strong></span></a><span><strong>.</strong>&nbsp;Light refreshments and snacks will be served!</span></p> </div> </div> </div> </div> </div> <div class="col-lg-6 col-12"> </div> Tue, 18 Nov 2025 19:02:56 +0000 Kirsten Stoltz 1474 at /artandarthistory /artandarthistory/newsletter/newsletter/news-november-4-2025 <span>News, November 4, 2025</span> <span><span>Kirsten Stoltz</span></span> <span><time datetime="2025-11-04T09:37:38-07:00" title="Tuesday, November 4, 2025 - 09:37">Tue, 11/04/2025 - 09:37</time> </span> Art &amp;amp; Art History News <div> <div> <div class="paragraph paragraph--type--newsletter-section paragraph--view-mode--default"> <h2> <div>Upcoming Events</div> </h2> <div class="ucb-newsletter-section-article "> <div id="feature-article-media-img-0" class="feature-article-img"> <div> <div class="imageMediaStyle large_image_style"> <img loading="lazy" src="/artandarthistory/sites/default/files/styles/large_image_style/public/2025-10/Screenshot%202025-10-21%20at%202.03.29%E2%80%AFPM.png?itok=pmSwkF_n" width="1500" height="997" alt="Barbara Mundy"> </div> </div> </div> <div id="feature-article-user-title-0"> <h3> <div>Barbara E. Mundy: Visiting Art History Scholar</div> </h3> </div> <div class="article-summary" id="feature-article-summary-user-text-0"> <div><p><span><strong>Wednesday, November 5th, 2025 at 5:00 PM — Tomorrow!</strong></span><br><a href="https://calendar.colorado.edu/norlin_library" rel="nofollow"><span>Norlin Library, Center for British &amp; Irish Studies (room M549)</span></a></p><p>Lecture: <em><strong>Color on Maps</strong></em></p><p>Indigenous Mexican mapmakers created extraordinary maps of cities and rural territories in the 1500s. These painters often deployed broad fields of color in hues that were based on visible observation, but sometimes not. What was the meaning of color to these artists? Was the application of pigment meaningful in the contests to territory that erupted after the Spanish invasion of the sixteenth century? Was it a form of ecological knowledge? In this talk, art historian Barbara Mundy explores the image-making traditions of Central Mexican Indigenous communities and their relationship to ecological knowledge and the possession of territory.</p><p>About the speaker: Barbara E. Mundy is the Donald and Martha Robertson Chair in Latin American Art History, Tulane University. Her scholarship dwells in zones of contact between Native peoples and settler colonists as they forged new visual cultures in the Americas. Mundy’s interest in the social construction of space and its imaginary bore fruit in her first book, <em>The Mapping of New Spain</em>. More recently, <em>The Death of Aztec Tenochtitlan, the Life of Mexico City</em> draws on Mexica texts and representations to counter a colonialist historiography, revealing the city’s nature as an Indigenous city through the sixteenth century. Her current research focuses on the production of books in the sixteenth century in New Spain, with particular emphasis on the books of Nahuatl speakers in the Basin of Mexico.</p></div> </div> </div> <div class="ucb-newsletter-section-article "> <div id="feature-article-media-img-1" class="feature-article-img"> <div> <div class="imageMediaStyle large_image_style"> <img loading="lazy" src="/artandarthistory/sites/default/files/styles/large_image_style/public/2025-08/MV5BM2I5NTYyOTAtZDliYy00ZGE4LTk3MGMtNTdmNTQ2YmU0NzQ4XkEyXkFqcGc%40._V1_.jpg?itok=qhek8w9s" width="1500" height="846" alt="David Valesco"> </div> </div> </div> <div id="feature-article-user-title-1"> <h3> <div>David Velasco: Visiting Artist &amp; Scholars Program</div> </h3> </div> <div class="article-summary" id="feature-article-summary-user-text-1"> <div><p><strong>Monday, November 10th at 4:00 PM</strong><br><strong>Visual Arts Complex auditorium, 1B20</strong></p><p><span>David Velasco is an American editor. He was the editor-in-chief of the art magazine Artforum from 2017 to 2023. He is the editor of&nbsp;</span><em>Modern Dance</em><span>, a 2017 series of books on contemporary choreographers published by the Museum of Modern Art, New York. He has written texts on a number of artists, including Sarah Michelson, Adrian Piper, and David Wojnarowicz. In 2017, he assisted photographer and activist Nan Goldin establish the activist group P.A.I.N., chronicled in Laura Poitras's Academy Award–nominated documentary&nbsp;</span><em>All the Beauty and the Bloodshed</em><span>&nbsp;(2022).</span></p></div> </div> </div> <div class="ucb-newsletter-section-article "> <div id="feature-article-media-img-2" class="feature-article-img"> <div> <div class="imageMediaStyle large_image_style"> <img loading="lazy" src="/artandarthistory/sites/default/files/styles/large_image_style/public/2025-11/Ex1final-768x432.jpeg?itok=lgcKjhbj" width="1500" height="844" alt="Kirkland Museum"> </div> </div> </div> <div id="feature-article-user-title-2"> <h3> <div>Art History Club</div> </h3> </div> <div class="article-summary" id="feature-article-summary-user-text-2"> <div><p lang="EN-US"><span lang="EN-US">Please join the Art History Club for Coffee and Chat with a Curator! </span><span>​</span><span lang="EN-US">Featuring Becca Goodrum, Assistant Curator, The Kirkland</span><span>​</span></p></div><div><p lang="EN-US"><span>​</span><span lang="EN-US">Come have a cup of coffee (or tea) and chat with a curator about her path, advice on pursuing a career in art history, and the joys and challenges of museum work.</span><span>​</span></p></div><div><p lang="EN-US"><span><strong>​</strong></span><span lang="EN-US"><strong>Date: Thursday, November 6</strong></span><span><strong>​</strong></span><br><span lang="EN-US"><strong>Time: 2:00-3:00pm</strong></span><span><strong>​</strong></span><br><span lang="EN-US"><strong>Place: Kemper Conference Room (VAC 330W)</strong></span><span>​</span></p></div><div><p lang="EN-US"><span>​</span><span lang="EN-US">Questions? Please contact Christine Bachman</span><span>​, </span><a href="mailto:christine.bachman@colorado.edu" rel="nofollow"><span lang="EN-US">christine.bachman@colorado.edu</span></a></p></div> </div> </div> <div class="ucb-newsletter-section-article "> <div id="feature-article-media-img-3" class="feature-article-img"> <div> <div class="imageMediaStyle large_image_style"> <img loading="lazy" src="/artandarthistory/sites/default/files/styles/large_image_style/public/2025-11/Screenshot%202025-11-04%20at%2011.25.28%E2%80%AFAM.png?itok=WoFR0ryT" width="1500" height="875" alt="Artist Performance: The Seventh Course"> </div> </div> </div> <div id="feature-article-user-title-3"> <h3> <div>Artist Performance: The Seventh Course</div> </h3> </div> <div class="article-summary" id="feature-article-summary-user-text-3"> <p><strong>Saturday, November 8th from 1–2pm at the �鶹��Ѱ�����Art Museum</strong></p><p>Join us for a performance by artists Zelda &amp; Georgia B as part of <a href="/cuartmuseum/exhibitions/currently-view/shaping-time-cu-ceramics-alumni-2000-2020" data-entity-type="node" data-entity-uuid="458de1f2-0520-4cba-8e4b-12a3116805e1" data-entity-substitution="canonical" rel="nofollow"><em>Shaping Time: �鶹��Ѱ�����Ceramics Alumni 2000-2020</em></a>.</p><p><em>The Seventh Course</em>&nbsp;continues Zelda &amp; Georgia B’s exploration of material behavior and the porous boundary between object and body. Performed in relation to&nbsp;<em>A Narrowing Corridor: A Cultivated Atmosphere</em>, the work traces a slow transformation in which balance and gravity act as collaborators. Frozen forms embody a quiet tension—poise yielding to exhaustion. As balance gives way to gravity, the scene lingers between presence and disintegration—an afterimage of forces shared between bodies, objects, and the spaces that hold them.</p><p>Light refreshments will be served following the performance.</p><p><strong>This program is free and all are welcome!</strong></p> </div> </div> </div> </div> <div> <div class="paragraph paragraph--type--newsletter-section paragraph--view-mode--default"> <h2> <div>Faculty News</div> </h2> <div class="row row-content"> <div class="col-lg-6 col-12 pb-4"> <div class="teaser-article-img px-2"> <img src="/artandarthistory/sites/default/files/styles/focal_image_square/public/2025-11/IMG_9432.jpeg?h=66f48909&amp;itok=PuUH2Svv" alt="Vernon Minor"> </div> <h3> <div>In Remembrance of Professor Vernon Minor</div> </h3> <div class="article-summary" id="teaser-article-summary-user-text--0"> <p><span>Dr. Vernon Hyde Minor joined the Department of Art and Art History and the Department of Comparative Literature/Humanities in 1976 and remained at �鶹��Ѱ�����until 2010, when he moved to the University of Illinois at Champagne-Urbana. During his time at CU, Vernon won several teaching awards and in 2010, Arts and Sciences Magazine published a profile on Vernon that highlighted his interdisciplinary work between art history and comparative literature, the hallmark of his teaching and research. Vernon was the author of four books, The Death of the Baroque and the Rhetoric of Good Taste (Cambridge University Press, 2006); Baroque &amp; Rococo: Art &amp; Culture (London: Calmann &amp; King 1999); Passive Tranquility: the Sculpture of Filippo della Valle (Philadelphia: American Philosophical Society, 1997); and Art History's History (Prentice Hall, 1994 and 2000) as well as several articles. In </span><a href="/today/1999/04/21/cu-boulder-professor-vernon-minor-receive-19992000-rome-prize" data-entity-type="external" rel="nofollow"><span>1999 he received the Rome Prize</span></a><span> for his proposal "Arcadian Power: The Accademia degli Arcadi, Artistic Theory, and the politics of Taste in 18th Century Rome." The department was sad to hear of his passing. His former students and colleagues remember him fondly.</span></p> </div> </div> <div class="col-lg-6 col-12 pb-4"> <div class="teaser-article-img px-2"> <img src="/artandarthistory/sites/default/files/styles/focal_image_square/public/2025-11/cu_headshot_fs_4by6_shell_0.jpeg?h=01d9563a&amp;itok=lCw8KCPj" alt="Hanna Rose Shell"> </div> <h3> <div>Hanna Rose Shell, Professor, Critical &amp; Curatorial Studies, Art Practices</div> </h3> <div class="article-summary" id="teaser-article-summary-user-text--1"> <p dir="ltr">Professor Hanna Rose Shell was recently featured in the <a href="https://www.leadvilleherald.com/news/hannah-shell-climax-observatory/article_81921a2c-e6dc-4a43-93d0-3f3756426238.html" data-entity-type="external" rel="nofollow">Leadville Herald</a></p><p dir="ltr"><em><span>Dr. Hanna Rose Shell, historian, filmmaker and professor at �鶹��Ѱ�����, presented “The Observatory at Climax: Mining the Sun” at Colorado Mountain College in Leadville.</span></em></p><p dir="ltr"><em><span>Hosted by the CMC Foundation, the event highlighted a chapter of scientific and local history. The Climax High Altitude Observatory operated atop Fremont Pass from 1940 to the early 1970s.</span></em></p><p dir="ltr"><em><span>Shell’s research explores the intersection of mining, science and art through the lens of the facility, which once stood at 11,500 feet. Her upcoming book and documentary will chronicle the observatory’s origins, its connection to the Climax Molybdenum Mine and the lives of the scientists who worked there. She also curated an art-science exhibit about the Observatory at the National Center for Atmospheric Research’s (NCAR) Mesa Lab in Boulder.</span></em></p><p dir="ltr"><a href="https://www.leadvilleherald.com/news/hannah-shell-climax-observatory/article_81921a2c-e6dc-4a43-93d0-3f3756426238.html" data-entity-type="external" rel="nofollow"><span>Read the full article</span></a></p> </div> </div> </div> </div> </div> <div> <div class="paragraph paragraph--type--newsletter-section paragraph--view-mode--default"> <h2> <div>Department News &amp; Announcements</div> </h2> <div class="row row-content"> <div class="col-lg-6 col-12 pb-4"> <div class="teaser-article-img px-2"> <img src="/artandarthistory/sites/default/files/styles/focal_image_square/public/2025-11/mhff-no-text%20%281%29.jpg?h=e8711843&amp;itok=j3AZJBcA" alt="film flyer"> </div> <h3> <div>Ian Joseph Greene, Graduate Candidate</div> </h3> <div class="article-summary" id="teaser-article-summary-user-text--0"> <div><strong>SCREENING FIVE SHORT FILMS</strong><br><em>FROM COLORADO FILMMAKERS</em><br>&nbsp;</div><div><strong>ROOMMATES</strong>&nbsp;directed by Ian Joseph Greene<br><strong>COSMOCAT</strong>&nbsp;directed by Caroline Locke<br><strong>ALIENS IN SPACE</strong>&nbsp;directed by Brandon Serneck<br><strong>INVADER FROM PLANET X</strong>&nbsp;directed by Jonathan Martin-Ives<br><strong>SPACEGUY</strong>&nbsp;directed by Gabriel Dohrn<br>&nbsp;</div><div><strong>FREE ADMISSION</strong></div><div><strong>SATURDAY · NOVEMBER 8 · 6:00PM</strong></div><div>Globeville Riverfront Arts Center<br>888 E 50th Ave, Denver, CO 80216</div> </div> </div> <div class="col-lg-6 col-12 pb-4"> <div class="teaser-article-img px-2"> <img src="/artandarthistory/sites/default/files/styles/focal_image_square/public/2025-09/TAOM_5%20Artists%281%29.png?h=7a6e80fd&amp;itok=g2r8Ezwx" alt="Time and Other Materials"> </div> <h3> <div>Film Screening: "Time and Other Materials"</div> </h3> <div class="article-summary" id="teaser-article-summary-user-text--1"> <p><span>A 60-minute documentary featuring five accomplished women artists in Colorado produced and directed by Amie Knox and Chad Herschberger. </span><a href="https://www.timeandothermaterials.com/" data-entity-type="external" rel="nofollow"><span>About the Film</span></a></p><p><a href="https://www.etown.org/" data-entity-type="external" rel="nofollow"><span>E-Town Hall</span></a><br><span>Tuesday, November 10 |&nbsp;6:30 PM |&nbsp;1535 Spruce St, Boulder, CO&nbsp;</span><br><span>After the film, continue the conversation about the film at the e-Town café.</span></p><p><a href="https://mcadenver.org/" data-entity-type="external" rel="nofollow"><span>Museum of Contemporary Art Denver</span></a><br><span>Thursday, December 11 |&nbsp;7:00 PM |&nbsp;1485 Delgany St,&nbsp;Denver, CO</span><br><span>After the film, there will be a panel discussion moderated by Miranda Lash.</span></p> </div> </div> </div> </div> </div> </div> <div class="col-lg-6 col-12"> </div> Tue, 04 Nov 2025 16:37:38 +0000 Kirsten Stoltz 1473 at /artandarthistory /artandarthistory/newsletter/newsletter/news-october-28-2025 <span>News, October 28, 2025</span> <span><span>Kirsten Stoltz</span></span> <span><time datetime="2025-10-28T10:23:07-06:00" title="Tuesday, October 28, 2025 - 10:23">Tue, 10/28/2025 - 10:23</time> </span> Art &amp;amp; Art History News <div> <div> <div class="paragraph paragraph--type--newsletter-section paragraph--view-mode--default"> <h2> <div>Upcoming Events</div> </h2> <div class="ucb-newsletter-section-article "> <div id="feature-article-media-img-0" class="feature-article-img"> <div> <div class="imageMediaStyle large_image_style"> <img loading="lazy" src="/artandarthistory/sites/default/files/styles/large_image_style/public/2025-10/Hoch_cut_detail.jpg?itok=XDNKcGfZ" width="1500" height="847" alt="Hannah Hoch"> </div> </div> </div> <div id="feature-article-user-title-0"> <h3> <div>Coffee and Collage in the VRC — TODAY!</div> </h3> </div> <div class="article-summary" id="feature-article-summary-user-text-0"> <p>Who: <strong>You</strong><br>What: <strong>Coffee and Collage</strong><br>Where:<strong> Visual Resources Center (VRC), Room 310</strong><br>When:<strong> Tuesday, October 28, 10am - 4pm</strong></p><p>Drop by today for coffee, tea, and snacks in the Visual Resources Center (VRC). Grab a beverage on your way to class, or better yet, take a break for some collage fun. We'll have various materials for cutting and pasting. Feel free to bring your own materials to use if you're inspired (clean and dry, please).</p><p>All Art and Art History students, staff, and faculty are welcome!</p><p>Don't know about the VRC yet? We’re on the 3rd floor, across the bridge/through the construction corridor). Check us out: <a href="http://www.colorado.edu/artandarthistory/vrc" rel="nofollow">www.colorado.edu/artandarthistory/vrc</a></p><p class="small-text">Image: Hannah Höch, <em>Cut with the Kitchen Knife Dada Through the Last Weimar Beer-Belly Cultural Epoch of Germany</em> (detail), collage, mixed media, 1919–1920, Nationalgalerie, Staatliche Museen, Berlin.</p> </div> </div> <div class="ucb-newsletter-section-article "> <div id="feature-article-media-img-1" class="feature-article-img"> <div> <div class="imageMediaStyle large_image_style"> <img loading="lazy" src="/artandarthistory/sites/default/files/styles/large_image_style/public/2025-10/Screenshot%202025-10-21%20at%202.03.29%E2%80%AFPM.png?itok=pmSwkF_n" width="1500" height="997" alt="Barbara Mundy"> </div> </div> </div> <div id="feature-article-user-title-1"> <h3> <div>Barbara E. Mundy: Visiting Art History Scholar</div> </h3> </div> <div class="article-summary" id="feature-article-summary-user-text-1"> <p><span><strong>Wednesday, November 5th, 2025 at 5:00 PM</strong></span><br><a href="https://calendar.colorado.edu/norlin_library" rel="nofollow"><span>Norlin Library, Center for British &amp; Irish Studies (room M549)</span></a></p><p>Lecture: <em><strong>Color on Maps</strong></em></p><p>Indigenous Mexican mapmakers created extraordinary maps of cities and rural territories in the 1500s. These painters often deployed broad fields of color in hues that were based on visible observation, but sometimes not. What was the meaning of color to these artists? Was the application of pigment meaningful in the contests to territory that erupted after the Spanish invasion of the sixteenth century? Was it a form of ecological knowledge? In this talk, art historian Barbara Mundy explores the image-making traditions of Central Mexican Indigenous communities and their relationship to ecological knowledge and the possession of territory.</p><p>About the speaker: Barbara E. Mundy is the Donald and Martha Robertson Chair in Latin American Art History, Tulane University. Her scholarship dwells in zones of contact between Native peoples and settler colonists as they forged new visual cultures in the Americas. Mundy’s interest in the social construction of space and its imaginary bore fruit in her first book, <em>The Mapping of New Spain</em>. More recently, <em>The Death of Aztec Tenochtitlan, the Life of Mexico City</em> draws on Mexica texts and representations to counter a colonialist historiography, revealing the city’s nature as an Indigenous city through the sixteenth century. Her current research focuses on the production of books in the sixteenth century in New Spain, with particular emphasis on the books of Nahuatl speakers in the Basin of Mexico.</p> </div> </div> <div class="ucb-newsletter-section-article "> <div id="feature-article-media-img-2" class="feature-article-img"> <div> <div class="imageMediaStyle large_image_style"> <img loading="lazy" src="/artandarthistory/sites/default/files/styles/large_image_style/public/2025-08/MV5BM2I5NTYyOTAtZDliYy00ZGE4LTk3MGMtNTdmNTQ2YmU0NzQ4XkEyXkFqcGc%40._V1_.jpg?itok=qhek8w9s" width="1500" height="846" alt="David Valesco"> </div> </div> </div> <div id="feature-article-user-title-2"> <h3> <div>David Velasco: Visiting Artist &amp; Scholars Program</div> </h3> </div> <div class="article-summary" id="feature-article-summary-user-text-2"> <p><strong>Monday, November 10th at 4:00 PM</strong><br><strong>Visual Arts Complex auditorium, 1B20</strong></p><p><span>David Velasco is an American editor. He was the editor-in-chief of the art magazine Artforum from 2017 to 2023. He is the editor of&nbsp;</span><em>Modern Dance</em><span>, a 2017 series of books on contemporary choreographers published by the Museum of Modern Art, New York. He has written texts on a number of artists, including Sarah Michelson, Adrian Piper, and David Wojnarowicz. In 2017, he assisted photographer and activist Nan Goldin establish the activist group P.A.I.N., chronicled in Laura Poitras's Academy Award–nominated documentary&nbsp;</span><em>All the Beauty and the Bloodshed</em><span>&nbsp;(2022).</span></p> </div> </div> </div> </div> <div> <div class="paragraph paragraph--type--newsletter-section paragraph--view-mode--default"> <h2></h2> <div class="row row-content"> <div class=" col-12 pb-4"> <div class="teaser-article-img px-2"> <img src="/artandarthistory/sites/default/files/styles/focal_image_square/public/2025-10/Screenshot%202025-10-28%20at%2010.51.09%E2%80%AFAM.png?h=badd8231&amp;itok=gUYUcL8I" alt="chair"> </div> <h3> <div>Art History Club Student Event</div> </h3> <div class="article-summary" id="teaser-article-summary-user-text--0"> <div><p lang="EN-US"><span lang="EN-US">Please join the Art History Club for Coffee and Chat with a Curator! </span><span>​</span><span lang="EN-US">Featuring Becca Goodrum, Assistant Curator, The Kirkland</span><span>​</span></p></div><div><p lang="EN-US"><span>​</span><span lang="EN-US">Come have a cup of coffee (or tea) and chat with a curator about her path, advice on pursuing a career in art history, and the joys and challenges of museum work.</span><span>​</span></p></div><div><p lang="EN-US"><span><strong>​</strong></span><span lang="EN-US"><strong>Date: Thursday, November 6</strong></span><span><strong>​</strong></span><br><span lang="EN-US"><strong>Time: 2:00-3:00pm</strong></span><span><strong>​</strong></span><br><span lang="EN-US"><strong>Place: Kemper Conference Room (VAC 330W)</strong></span><span>​</span></p></div><div><p lang="EN-US"><span>​</span><span lang="EN-US">Questions? Please contact Christine Bachman</span><span>​, </span><a href="mailto:christine.bachman@colorado.edu" rel="nofollow"><span lang="EN-US">christine.bachman@colorado.edu</span></a></p></div> </div> </div> </div> </div> </div> <div> <div class="paragraph paragraph--type--newsletter-section paragraph--view-mode--default"> <h2> <div>Faculty News</div> </h2> <div class="row row-content"> <div class=" col-12 pb-4"> <div class="teaser-article-img px-2"> <img src="/artandarthistory/sites/default/files/styles/focal_image_square/public/2025-10/5976b115-0240-45d0-aed9-6e7ee493bc18.jpeg?h=a367a227&amp;itok=Sf13j187" alt="Zadie Smith"> </div> <h3> <div>Megan O'Grady, Critical and Curatorial Studies</div> </h3> <div class="article-summary" id="teaser-article-summary-user-text--0"> <div><p>The New York Times recently published a book review by Assistant Professor Megan O'Grady.</p><p><em><strong>Zadie Smith Considers Art in the Age of Relentless Progress</strong></em></p></div><p>In a new essay collection, the novelist and critic offers her observations on artists, technology and a vanishing public commons.</p><p><a href="https://www.nytimes.com/2025/10/28/books/review/zadie-smith-dead-and-alive-essays.html" data-entity-type="external" rel="nofollow"><strong>Link to the full review</strong></a></p> </div> </div> </div> </div> </div> </div> <div class="col-lg-6 col-12"> </div> Tue, 28 Oct 2025 16:23:07 +0000 Kirsten Stoltz 1472 at /artandarthistory /artandarthistory/newsletter/newsletter/october-23-2025-correction <span>October 23, 2025 Correction</span> <span><span>Kirsten Stoltz</span></span> <span><time datetime="2025-10-23T17:36:03-06:00" title="Thursday, October 23, 2025 - 17:36">Thu, 10/23/2025 - 17:36</time> </span> Art &amp;amp; Art History News <div> <div> <div class="paragraph paragraph--type--newsletter-section paragraph--view-mode--default"> <h2> <div>Barbara Mundy: Visiting Art History Scholar Lecture (correction)</div> </h2> <div class="ucb-newsletter-section-article "> <div id="feature-article-media-img-0" class="feature-article-img"> <div> <div class="imageMediaStyle large_image_style"> <img loading="lazy" src="/artandarthistory/sites/default/files/styles/large_image_style/public/2025-10/Screenshot%202025-10-21%20at%202.03.29%E2%80%AFPM.png?itok=pmSwkF_n" width="1500" height="997" alt="Barbara Mundy"> </div> </div> </div> <div id="feature-article-user-title-0"> <h3> <div>Wednesday, November 5th at 5:00 PM</div> </h3> </div> <div class="article-summary" id="feature-article-summary-user-text-0"> <p><span>Location: </span><a href="https://calendar.colorado.edu/norlin_library" rel="nofollow"><span>Norlin Library, Center for British &amp; Irish Studies (room M549)</span></a></p><hr><p>Lecture: <em><strong>Color on Maps</strong></em></p><p>Indigenous Mexican mapmakers created extraordinary maps of cities and rural territories in the 1500s. These painters often deployed broad fields of color in hues that were based on visible observation, but sometimes not. What was the meaning of color to these artists? Was the application of pigment meaningful in the contests to territory that erupted after the Spanish invasion of the sixteenth century? Was it a form of ecological knowledge? In this talk, art historian Barbara Mundy explores the image-making traditions of Central Mexican Indigenous communities and their relationship to ecological knowledge and the possession of territory.</p><p>About the speaker: Barbara E. Mundy is the Donald and Martha Robertson Chair in Latin American Art History, Tulane University. Her scholarship dwells in zones of contact between Native peoples and settler colonists as they forged new visual cultures in the Americas. Mundy’s interest in the social construction of space and its imaginary bore fruit in her first book, <em>The Mapping of New Spain</em>. More recently, <em>The Death of Aztec Tenochtitlan, the Life of Mexico City</em> draws on Mexica texts and representations to counter a colonialist historiography, revealing the city’s nature as an Indigenous city through the sixteenth century. Her current research focuses on the production of books in the sixteenth century in New Spain, with particular emphasis on the books of Nahuatl speakers in the Basin of Mexico.</p> </div> </div> </div> </div> </div> <div class="col-lg-6 col-12"> </div> Thu, 23 Oct 2025 23:36:03 +0000 Kirsten Stoltz 1471 at /artandarthistory /artandarthistory/newsletter/newsletter/october-21-2025 <span>October 21, 2025</span> <span><span>Kirsten Stoltz</span></span> <span><time datetime="2025-10-21T13:24:45-06:00" title="Tuesday, October 21, 2025 - 13:24">Tue, 10/21/2025 - 13:24</time> </span> Art &amp;amp; Art History News <div> <div> <div class="paragraph paragraph--type--newsletter-section paragraph--view-mode--default"> <h2> <div>Upcoming Events</div> </h2> <div class="ucb-newsletter-section-article "> <div id="feature-article-media-img-0" class="feature-article-img"> <div> <div class="imageMediaStyle large_image_style"> <img loading="lazy" src="/artandarthistory/sites/default/files/styles/large_image_style/public/2025-10/Screenshot%202025-10-09%20at%203.50.19%E2%80%AFPM_0.png?itok=M4w3yUdN" width="1500" height="893" alt="symposium image"> </div> </div> </div> <div id="feature-article-user-title-0"> <h3> <div>the audacity of pleasure: race, aesthetics, and the politics of desire symposium</div> </h3> </div> <div class="article-summary" id="feature-article-summary-user-text-0"> <p><span><strong>Friday, October 24, 2025</strong></span><br><span><strong>The Center for British and Irish Studies, Norlin Library</strong></span></p><p><span>On Friday, October 24, 2025, we will gather in the name of pleasure, joy, and desire. The first public forum of its kind focused on this urgent subject, </span><em><span>the audacity of pleasure: race, aesthetics, and the politics of desire</span></em><span> is a one-day, hybrid symposium that explores the aesthetics and politics of QT/BIPOC pleasure and joy. Join us in conversation with a diverse group of outstanding thinkers and makers who, working across multiple disciplines, challenge us to rethink what it means to live in the margins of society.</span></p><p><a href="/artandarthistory/audacity-pleasure-symposium-2025" data-entity-type="external" rel="nofollow"><span><strong>Link here to explore the entire symposium schedule of events!</strong></span></a></p><p><span>Assistant Professor of African/Diasporic Visual Studies crystal am nelson co-organized </span><em><span>the audacity of pleasure</span></em><span> with Boreth J. Ly, Associate Professor in the History of Art and Visual Culture Department at UC Santa Cruz.</span></p> </div> </div> <div class="ucb-newsletter-section-article "> <div id="feature-article-media-img-1" class="feature-article-img"> <div> <div class="imageMediaStyle large_image_style"> <img loading="lazy" src="/artandarthistory/sites/default/files/styles/large_image_style/public/2025-10/Screenshot%202025-10-21%20at%201.31.08%E2%80%AFPM.png?itok=gTpZdO0c" width="1500" height="873" alt="Anna Tsouhlarakis"> </div> </div> </div> <div id="feature-article-user-title-1"> <h3> <div>Logan Lecture: Anna Tsouhlarakis (Tonight!)</div> </h3> </div> <div class="article-summary" id="feature-article-summary-user-text-1"> <p><strong>October 21, 2025 - 6 pm–7 pm</strong></p><p>Associate Professor Anna Tsouhlarakis will be presenting her work as part of the Logan Lecture Series at the Denver Art Museum.</p><div>Martin Building, Level 1—Garden Room</div><div>Ticket required, discount for members, free for Museum Friends and students.</div><div>&nbsp;</div><div><a href="https://www.denverartmuseum.org/en/calendar/logan-lecture-anna-tsouhlarakis" data-entity-type="external" rel="nofollow">Link to more information and tickets</a></div> </div> </div> <div class="ucb-newsletter-section-article "> <div id="feature-article-media-img-2" class="feature-article-img"> <div> <div class="imageMediaStyle large_image_style"> <img loading="lazy" src="/artandarthistory/sites/default/files/styles/large_image_style/public/2025-10/Screenshot%202025-08-05%20at%202.39.02%E2%80%AFPM.png?itok=JolHuKcA" width="1500" height="1049" alt="Ebitenyefa Baralaye"> </div> </div> </div> <div id="feature-article-user-title-2"> <h3> <div>Ebitenyefa Baralaye: Visiting Artist Lecture</div> </h3> </div> <div class="article-summary" id="feature-article-summary-user-text-2"> <p><strong>Monday, October 27th at 4:00 PM</strong><br><strong>Visual Arts Complex auditorium, 1B20</strong></p><p><span>Ebitenyefa Baralaye is a ceramicist, sculptor, designer, and educator. His work explores cultural, spiritual, and material translations of objects, text, and symbols interpreted through a diaspora lens and abstracted around the aesthetics of craft and design. He received a BFA in ceramics from the Rhode Island School of Design and an MFA in ceramics from the Cranbrook Academy of Art. Baralaye’s work has been exhibited nationally and internationally at Friedman Benda Gallery (New York), David Klein Gallery (Detroit), Shoshana Wayne Gallery (Los Angeles), the Museum of the African Diaspora (San Francisco), and the Korea Ceramic Foundation (Icheon). Baralaye has participated in residencies at the Watershed Center for Ceramic Arts, the Hambidge Center, and the Elizabeth Foundation Studio Program. Baralaye’s work was featured in the "Objects: USA 2020" exhibition and catalog. He is currently an assistant professor in the Stamps School of Art &amp; Design at the University of Michigan. Baralaye resides and works in Detroit, MI.</span></p> </div> </div> <div class="ucb-newsletter-section-article "> <div id="feature-article-media-img-3" class="feature-article-img"> <div> <div class="imageMediaStyle large_image_style"> <img loading="lazy" src="/artandarthistory/sites/default/files/styles/large_image_style/public/2025-10/Screenshot%202025-10-21%20at%202.03.29%E2%80%AFPM.png?itok=pmSwkF_n" width="1500" height="997" alt="Barbara Mundy"> </div> </div> </div> <div id="feature-article-user-title-3"> <h3> <div>Barbara Mundy: Visiting Art History Scholar</div> </h3> </div> <div class="article-summary" id="feature-article-summary-user-text-3"> <p><span><strong>Thursday, November 6, 2025 at 5:00 PM</strong></span><br><a href="https://calendar.colorado.edu/norlin_library" rel="nofollow"><span>Norlin Library, Center for British &amp; Irish Studies (room M549)</span></a></p><p>Lecture: <em><strong>Color on Maps</strong></em></p><p>Indigenous Mexican mapmakers created extraordinary maps of cities and rural territories in the 1500s. These painters often deployed broad fields of color in hues that were based on visible observation, but sometimes not. What was the meaning of color to these artists? Was the application of pigment meaningful in the contests to territory that erupted after the Spanish invasion of the sixteenth century? Was it a form of ecological knowledge? In this talk, art historian Barbara Mundy explores the image-making traditions of Central Mexican Indigenous communities and their relationship to ecological knowledge and the possession of territory.</p><p>About the speaker: Barbara E. Mundy is the Donald and Martha Robertson Chair in Latin American Art History, Tulane University. Her scholarship dwells in zones of contact between Native peoples and settler colonists as they forged new visual cultures in the Americas. Mundy’s interest in the social construction of space and its imaginary bore fruit in her first book, <em>The Mapping of New Spain</em>. More recently, <em>The Death of Aztec Tenochtitlan, the Life of Mexico City</em> draws on Mexica texts and representations to counter a colonialist historiography, revealing the city’s nature as an Indigenous city through the sixteenth century. Her current research focuses on the production of books in the sixteenth century in New Spain, with particular emphasis on the books of Nahuatl speakers in the Basin of Mexico.</p> </div> </div> <div class="ucb-newsletter-section-article "> <div id="feature-article-media-img-4" class="feature-article-img"> <div> <div class="imageMediaStyle large_image_style"> <img loading="lazy" src="/artandarthistory/sites/default/files/styles/large_image_style/public/2025-10/Hoch_cut_detail.jpg?itok=XDNKcGfZ" width="1500" height="847" alt="Hannah Hoch"> </div> </div> </div> <div id="feature-article-user-title-4"> <h3> <div>Coffee and Collage in the VRC, Tuesday, 10/28</div> </h3> </div> <div class="article-summary" id="feature-article-summary-user-text-4"> <p>Who: <strong>You</strong><br>What: <strong>Coffee and Collage</strong><br>Where:<strong> Visual Resources Center (VRC), Room 310</strong><br>When:<strong> Tuesday, October 28, 10am - 4pm</strong></p><p>Drop by next Tuesday for coffee, tea, and snacks in the Visual Resources Center (VRC). Grab a beverage on your way to class, or better yet, take a break for some collage fun. We'll have various materials for cutting and pasting. Feel free to bring your own materials to use if you're inspired (clean and dry, please).</p><p>All Art and Art History students, staff, and faculty are welcome!</p><p>Don't know about the VRC yet? We’re on the 3rd floor, across the bridge/through the construction corridor). Check us out: <a href="http://www.colorado.edu/artandarthistory/vrc" rel="nofollow">www.colorado.edu/artandarthistory/vrc</a></p><p class="small-text">Image: Hannah Höch, <em>Cut with the Kitchen Knife Dada Through the Last Weimar Beer-Belly Cultural Epoch of Germany</em> (detail), collage, mixed media, 1919–1920, Nationalgalerie, Staatliche Museen, Berlin.</p> </div> </div> </div> </div> <div> <div class="paragraph paragraph--type--newsletter-section paragraph--view-mode--default"> <h2> <div>Faculty News</div> </h2> <div class="row row-content"> <div class=" col-12 pb-4"> <div class="teaser-article-img px-2"> <img src="/artandarthistory/sites/default/files/styles/focal_image_square/public/2025-10/IMG_2192.jpeg?h=6875a407&amp;itok=Z0nB4-Wt" alt="Yumi and Emmanuel"> </div> <h3> <div>Yumi Janairo Roth and Emmanuel David</div> </h3> <div class="article-summary" id="teaser-article-summary-user-text--0"> <p>Congrats to the Western History Association 2025 Vicki L. Ruiz Award winners Emmanuel David and Yumi Janairo Roth for their article "Playing Filipino: Racial Display, Resistance, and the Filipino Rough Riders in Buffalo Bill's Wild West"</p> </div> </div> </div> </div> </div> </div> <div class="col-lg-6 col-12"> </div> Tue, 21 Oct 2025 19:24:45 +0000 Kirsten Stoltz 1470 at /artandarthistory